Age: 67
female
Fiona Shaw (born Fiona Mary Wilson, 10 July 1958) is an Irish film and theatre actress. She did extensive work with the Royal Shakespeare Company and the National Theatre, as well as in film and television. In 2020, she was listed at No. 29 on The Irish Times list of Ireland's greatest film actors. She was made an Honorary Commander of the Order of the British Empire (CBE) by Queen Elizabeth II in 2001. She won both the 1990 and 1994 Laurence Olivier Award for Best Actress for roles in the plays Electra, As You Like It, The Good Person of Szechwan (1990), and Machinal (1994) and received a further three Olivier Award nominations for her roles in Mephisto (1986), Hedda Gabler (1992), and Happy Days (2008). She made her Broadway debut playing the title role in Medea (2002), for which she earned a nomination for the Tony Award for Best Actress in a Play. She returned to Broadway in the Colm Tóibín play The Testament of Mary (2013). In film, she played Petunia Dursley in the Harry Potter film series (2001–2010). Other notable film roles include My Left Foot (1989), Persuasion (1995), Jane Eyre (1996), The Tree of Life (2011), Colette (2018), Ammonite (2020), and Enola Holmes (2020). Her television roles include Hedda Hopper in the HBO film RKO 281 (1999) and Marnie Stonebrook in the HBO series True Blood (2011). She played Carolyn Martens in the BBC series Killing Eve (2018–22), for which she received the 2019 BAFTA TV Award for Best Supporting Actress and two Primetime Emmy Award nominations. For her role as a counsellor in Fleabag (2019), she received a Primetime Emmy Award for Outstanding Guest Actress in a Comedy Series nomination. She starred in the BBC One series Baptiste (2021) and the Disney+ series Andor (2022). Description above from the Wikipedia article Manny Jacinto, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Fiona Shaw
Mrs. Windicott (Hazel’s mother)
for Mrs. Windicott (Hazel’s mother) in Lovely War
Suggested by jaywalkinshawol
At the height of World War I in 1917 England, shy and talented pianist, Hazel locks eyes with James, a freshly minted soldier who dreams of a career as an architect. Their whirlwind love and connection is immediate and deep, but cut short as James is shipped off to face war. Aubrey, a gifted musician, is also headed to the trenches as a member of the 15th New York infantry- an all-African-American regiment sent to help end the Great War. Love never crossed his mind until he met Colette, a Belgian chanteuse who has already survived unspeakable tragedy at the hands of the Germans. Thirty years after these four lovers’ fates collide, the Greek goddess Aphrodite recants their stories to her husband Hephaestus, her lover Ares, and the God of the Underworld himself, Hades, in a luxe Manhattan hotel room now at the height of World War II. She seeks to answer the age-old question: Why are love and war eternally drawn to one another? But from her efforts of finding a conclusion that will please her jealous husband, Aphrodite uncovers a complicated tale of prejudice, trauma, and music, but most importantly that war is no match to the power of love. -paraphrased from GoodReads.
