Age: 30
female
Anya-Josephine Marie Taylor-Joy (/ˈænjə/; born 16 April 1996) is an American actress and voice actress. Born in Miami and raised in Buenos Aires and London, she left school at 16 to pursue an acting career. After several minor television roles, her breakthrough came with a leading role in the horror film The Witch (2015). Her career progressed with roles in the horror film Split (2016) and its sequel Glass (2019), the black comedy film Thoroughbreds (2017), and playing Emma Woodhouse in the period drama Emma (2020). Taylor-Joy featured in the television crime drama series Peaky Blinders (2019–2022) and earned international recognition for playing Beth Harmon in the period drama miniseries The Queen's Gambit (2020), winning a Golden Globe Award and a SAG Award, in addition to a nomination for a Primetime Emmy Award. She then starred in the horror film Last Night in Soho (2021), the action films The Northman (2022) and The Gorge (2025), and the black comedy The Menu (2022). She also voiced Princess Peach in the animated film The Super Mario Bros. Movie (2023). She starred as Imperator Furiosa in the apocalyptic film Furiosa: A Mad Max Saga (2024). Description above from the Wikipedia article Anya Taylor-Joy, licensed under CC-BY-SA, full list of contributors on Wikipedia.
At the height of World War I in 1917 England, shy and talented pianist, Hazel locks eyes with James, a freshly minted soldier who dreams of a career as an architect. Their whirlwind love and connection is immediate and deep, but cut short as James is shipped off to face war. Aubrey, a gifted musician, is also headed to the trenches as a member of the 15th New York infantry- an all-African-American regiment sent to help end the Great War. Love never crossed his mind until he met Colette, a Belgian chanteuse who has already survived unspeakable tragedy at the hands of the Germans. Thirty years after these four lovers’ fates collide, the Greek goddess Aphrodite recants their stories to her husband Hephaestus, her lover Ares, and the God of the Underworld himself, Hades, in a luxe Manhattan hotel room now at the height of World War II. She seeks to answer the age-old question: Why are love and war eternally drawn to one another? But from her efforts of finding a conclusion that will please her jealous husband, Aphrodite uncovers a complicated tale of prejudice, trauma, and music, but most importantly that war is no match to the power of love. -paraphrased from GoodReads.
