Age: 30
female
Florence Pugh (/pjuː/ PEW; born 3 January 1996) is an English actress. After making her acting debut in the drama film The Falling (2014), Pugh gained praise for starring in the independent drama Lady Macbeth (2016) and the miniseries The Little Drummer Girl (2018). Her international breakthrough came in 2019 with her portrayals of professional wrestler Paige in the sports film Fighting with My Family, a despondent American woman in the horror film Midsommar, and Amy March in the period drama Little Women. For the last of these, she was nominated for the Academy Award for Best Supporting Actress. Pugh has played Yelena Belova in the Marvel Cinematic Universe, starring in the films Black Widow (2021) and Thunderbolts* (2025) and the Disney+ miniseries Hawkeye (2021). In her highest-grossing releases, she voiced Goldilocks in Puss in Boots: The Last Wish (2022) and portrayed Jean Tatlock in Oppenheimer (2023) and Princess Irulan in Dune: Part Two (2024). She also continued to gain praise for her performances in dramas such as We Live in Time (2024). Description above from the Wikipedia article Florence Pugh, licensed under CC-BY-SA, full list of contributors on Wikipedia.
At the height of World War I in 1917 England, shy and talented pianist, Hazel locks eyes with James, a freshly minted soldier who dreams of a career as an architect. Their whirlwind love and connection is immediate and deep, but cut short as James is shipped off to face war. Aubrey, a gifted musician, is also headed to the trenches as a member of the 15th New York infantry- an all-African-American regiment sent to help end the Great War. Love never crossed his mind until he met Colette, a Belgian chanteuse who has already survived unspeakable tragedy at the hands of the Germans. Thirty years after these four lovers’ fates collide, the Greek goddess Aphrodite recants their stories to her husband Hephaestus, her lover Ares, and the God of the Underworld himself, Hades, in a luxe Manhattan hotel room now at the height of World War II. She seeks to answer the age-old question: Why are love and war eternally drawn to one another? But from her efforts of finding a conclusion that will please her jealous husband, Aphrodite uncovers a complicated tale of prejudice, trauma, and music, but most importantly that war is no match to the power of love. -paraphrased from GoodReads.
