
Age: 39
female
Nicola Mary Coughlan is an Irish actress. She is known for her roles as Clare Devlin in the Channel 4 sitcom Derry Girls and Penelope Featherington in the Netflix period drama Bridgerton. She earned a Screen Actors Guild Awards nomination for playing the lead role of Penelope Featherington in the third season of Bridgerton. Coughlan earned a British Academy Television Awards nomination for her role as Maggie Donovan in Big Mood (2024–present). Coughlan was born on 9 January 1987 in Galway, Ireland, and grew up in Oranmore. The youngest of three siblings, her father served in the Irish Army before passing away in 2016, and her mother was a stay-at-home parent. At the age of five, while watching her sister perform in a school play, Coughlan decided she wanted to become an actress. She attended Scoil Mhuire Primary School and Calasanctius College. She graduated with a degree in English and Classical Civilisation from the National University of Ireland, Galway. She then went on to train in England at the Oxford School of Drama and Birmingham School of Acting.

At the height of World War I in 1917 England, shy and talented pianist, Hazel locks eyes with James, a freshly minted soldier who dreams of a career as an architect. Their whirlwind love and connection is immediate and deep, but cut short as James is shipped off to face war. Aubrey, a gifted musician, is also headed to the trenches as a member of the 15th New York infantry- an all-African-American regiment sent to help end the Great War. Love never crossed his mind until he met Colette, a Belgian chanteuse who has already survived unspeakable tragedy at the hands of the Germans. Thirty years after these four lovers’ fates collide, the Greek goddess Aphrodite recants their stories to her husband Hephaestus, her lover Ares, and the God of the Underworld himself, Hades, in a luxe Manhattan hotel room now at the height of World War II. She seeks to answer the age-old question: Why are love and war eternally drawn to one another? But from her efforts of finding a conclusion that will please her jealous husband, Aphrodite uncovers a complicated tale of prejudice, trauma, and music, but most importantly that war is no match to the power of love. -paraphrased from GoodReads.






