Age: 62
male
Rupert S. Graves (born 30 June 1963) is an English film, television, and theatre actor. He is known for his roles in A Room with a View (1985), Maurice (1987), The Madness of King George (1984), and The Forsyte Saga (2002). Since 2010, he has starred as DI Lestrade in the BBC television series Sherlock. Graves first came to prominence in costume-drama adaptations of E. M. Forster's novels A Room with a View (1985), and Maurice (1987), before going on to appear in films including A Handful of Dust (1988), The Madness of King George (1994), Different for Girls (1996), and Intimate Relations (1996). Graves's role in Intimate Relations won him the Best Actor award at the 1996 Montreal World Film Festival. He was also acclaimed for his portrayal of Young Jolyon Forsyte in the television miniseries The Forsyte Saga. Later, he appeared in films such as V for Vendetta (2005), Death at a Funeral (2007), Horrible Histories: The Movie – Rotten Romans (2019), and Emma (2020), and in TV series such as Charles II: The Power & the Passion (2003), A Waste of Shame (2005), Sherlock (2010–), The Crimson Field (2014), and The Family (2016).
The many lives of theoretical physicist Elsie Hannaway have finally caught up with her. By day, she’s an adjunct professor, toiling away at grading labs and teaching thermodynamics in the hopes of landing tenure. By other day, Elsie makes up for her non-existent paycheck by offering her services as a fake girlfriend, tapping into her expertly honed people-pleasing skills to embody whichever version of herself the client needs. Honestly, it’s a pretty sweet gig—until her carefully constructed Elsie-verse comes crashing down. Because Jack Smith, the annoyingly attractive and arrogant older brother of her favorite client, turns out to be the cold-hearted experimental physicist who ruined her mentor’s career and undermined the reputation of theorists everywhere. And he’s the same Jack Smith who rules over the physics department at MIT, standing right between Elsie and her dream job. Elsie is prepared for an all-out war of scholarly sabotage but…those long, penetrating looks? Not having to be anything other than her true self when she’s with him? Will falling into an experimentalist’s orbit finally tempt her to put her most guarded theories on love into practice?
