Age: 69
female
Frances Louise McDormand (born Cynthia Ann Smith; June 23, 1957) is an American film, stage and television actress. McDormand began her career on stage and made her screen debut in the 1984 film Blood Simple, having since appeared in several theatrical and television roles. McDormand has been recognized for her performances in 'Mississippi Burning' (1988), 'Short Cuts' (1993), 'Fargo' (1996), 'Wonder Boys' (2000), 'Almost Famous' (2000), 'North Country' (2005), 'Moonrise Kingdom' (2012), 'Hail, Caesar!' (2016), 'Three Billboards Outside Ebbing, Missouri' (2017), 'Nomadland' (2020) and 'The Tragedy of Macbeth' (2021). Throughout her career, she has been nominated for eight Golden Globes, five Academy Awards, four BAFTA Awards, and three Emmy Awards. She is one of the few performers to achieve the "Triple Crown of Acting", winning an Academy Award, a Primetime Emmy Award, and a Tony Award. She won her first Academy Award for Best Actress in 1997 for her role as Marge Gunderson in 'Fargo'. She also won Best Supporting Actress from the Broadcast Film Critics Association, the Florida Film Critics Circle, and the Los Angeles Film Critics Association for her performance in 'Wonder Boys' (2000). McDormand returned to the stage in the David Lindsay-Abaire play Good People on Broadway from February 8, 2011 to April 24, 2011. In 2017, McDormand starred in 'Three Billboards Outside Ebbing, Missouri' which earned her a second Academy Award for Best Actress. McDormand has been married to filmmaker Joel Coen since 1984, they reside in New York City along with their adopted son Pedro.
After losing her free spirited mother and trying run away from the past she’s not ready to talk about, Love Sinclair is out of options. So when she and her younger sister Lennon find their mom’s old bucket list tucked away in a box, they do something a little reckless, they pack up their lives and head to Mackinac Island, Michigan to fulfill one of her mother’s biggest, unfinished dreams. Love isn’t expecting much. A change of scenery, maybe. A little peace if she’s lucky. But what she finds is something she never saw coming: a quiet kind of magic in the lilac-scented air, in long bike rides and stormy skies, and in the strangers who slowly start to feel like home. Then there’s Harry Grey. The observant, paint-covered art teacher with too many questions and a frustrating habit of showing up when she’s trying to be invisible. Love didn’t come here to fall for anyone. She came to forget. But the more she lets the island in, the more she lets herself in… the harder it is to keep running.
