Age: 56
female
Rachel Hannah Weisz (/vaɪs/; born 7 March 1970) is an English actress. Known for her roles in independent films and blockbusters, she has received several awards, including an Academy Award, a BAFTA Award, a Golden Globe Award, and a Laurence Olivier Award. Weisz began acting in stage and television productions in the early 1990s and made her film debut in Death Machine (1994). She won a Critics' Circle Theatre Award for her role in the 1994 revival of Noël Coward's play Design for Living. She went on to appear in the 1999 Donmar Warehouse production of Tennessee Williams' drama Suddenly Last Summer. Her film breakthrough came with her starring role as Evelyn Carnahan in the Hollywood action films The Mummy (1999) and The Mummy Returns(2001). Weisz went on to star in several films of the 2000s, including Enemy at the Gates (2001), About a Boy (2002), Runaway Jury (2003), Constantine (2005), The Fountain (2006), The Lovely Bones (2009) and The Whistleblower (2010). For her performance as an activist in the 2005 thriller The Constant Gardener, she won the Academy Award for Best Supporting Actress. For playing Blanche DuBois in a 2009 revival of A Streetcar Named Desire, she won the Laurence Olivier Award for Best Actress. In the 2010s, Weisz continued to star in big-budget films such as the action film The Bourne Legacy (2012) and the fantasy film Oz the Great and Powerful (2013) and achieved critical acclaim for her performances in the independent films The Deep Blue Sea (2011), Denial (2016), and The Favourite (2018). For her portrayal of Sarah Churchill in The Favourite, she won the BAFTA Award for Best Actress in a Supporting Role and received a second Academy Award nomination. Weisz portrayed Melina Vostokoff in the Marvel Cinematic Universe film Black Widow (2021) and starred as twin obstetricians in the thriller miniseries Dead Ringers (2023). Description above from the Wikipedia article Wendell Pierce, licensed under CC-BY-SA, full list of contributors on Wikipedia.
When lorry driver Dougie Alport carries out a deadly attack on his employer’s head office, the reverberations of his actions unleash a grief in his wife Maureen that threatens to reveal the secret she has spent years hiding from their son, Boyd. Moving north to start again is Maureen’s best response. But as the walls begin to throb with mould and his mother slips from his grasp, Boyd decides to flee, finding solace with a new friend at the landfill site on the edge of town. Here, a startling discovery upends Boyd’s new life and forces him into a reckoning with his mother, her past, and his future.
