Age: 27
female
Hunter Schafer (born December 31, 1998) is an American actress and model. Born in Trenton, New Jersey, and raised in Raleigh, North Carolina, Schafer first made headlines in 2016 with her activism against North Carolina's Public Facilities Privacy & Security Act. She also developed skills in the visual arts, including watercolour painting and clothing design. In 2017, she began modelling for numerous worldwide fashion brands. Schafer made her acting debut as transgender high school student Jules Vaughn in the HBO teen drama television series Euphoria (2019–present), which garnered her critical praise. She has since starred in the films The Hunger Games: The Ballad of Songbirds & Snakes (2023) and Cuckoo (2024).
Set against the soot of Philadelphia and the neon of New York, the story follows Kitty Foyle (Margaret Qualley), a "shanty Irish" girl with a white-collar soul. Kitty is caught in the gears of the American class system, navigating a life defined by the men who love her and the woman she is determined to become. The heart of her conflict is Wyn Strafford VI (Gavin Casalegno), the "Golden Boy" of the Philadelphia Main Line. Their romance is a fever dream of collegiate sweaters and secret trysts, but it is perpetually haunted by the icy silhouette of Mrs. Strafford (Elizabeth Mitchell). When the family’s "Old Money" walls prove impenetrable, Kitty flees to New York, trading her frayed ribbons for the sharp, navy-blue armor of a career girl. In Manhattan, Kitty finds a new blueprint for existence at the Art Deco empire of Delphine Detaille (January Jones). Under the mentorship of the razor-sharp Stacy Lee Balla (Maddie Ziegler) and the transformative touch of stylist Giono (Justice Smith), Kitty is reborn. It is here she meets Dr. Mark Eisen (Ben Platt), a man of science and grit who offers her a "New Hope" - a life of mutual respect rather than social performance. When the death of her father, the cynical but soulful Pop Foyle (David Costabile), and a scandalous, secret tragedy force Kitty to face her past, she must decide: return to the "Main Line" as a ghost of herself, or forge a future in a city that doesn't care who her father was. The film ends not with a wedding, but with a transformation. Kitty Foyle stands at a Grand Central platform, her iconic blue coat a vibrant strike against the grey. She isn't choosing a man; she is choosing herself.
