Age: 40
female
Emerald Lilly Fennell (born 1 October 1985) is an English actress, filmmaker, and writer. She has received numerous accolades, including an Academy Award, two BAFTA Awards, and nominations for three Primetime Emmy Awards and three Golden Globe Awards. Fennell first gained attention for her roles in period films, such as Albert Nobbs (2011), Anna Karenina (2012), and The Danish Girl (2015). She gained prominence for her starring role in the BBC One drama series Call the Midwife (2013–2017) and for her portrayal of Camilla Parker-Bowles in the Netflix drama series The Crown (2019–2020), the latter of which garnered her a Primetime Emmy Award nomination. As a writer-director, Fennell is known as the showrunner for season two of the BBC spy thriller series Killing Eve (2019), which earned her two Primetime Emmy Award nominations. She made her feature film directorial debut with the thriller Promising Young Woman (2020), for which she won the Academy Award for Best Original Screenplay and received nominations for Best Picture and Best Director. Fennell also wrote the book for Andrew Lloyd Webber's musical Cinderella (2021) and directed her second film, the psychological thriller Saltburn (2023). Description above from the Wikipedia article Emerald Fennell, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Set against the soot of Philadelphia and the neon of New York, the story follows Kitty Foyle (Margaret Qualley), a "shanty Irish" girl with a white-collar soul. Kitty is caught in the gears of the American class system, navigating a life defined by the men who love her and the woman she is determined to become. The heart of her conflict is Wyn Strafford VI (Gavin Casalegno), the "Golden Boy" of the Philadelphia Main Line. Their romance is a fever dream of collegiate sweaters and secret trysts, but it is perpetually haunted by the icy silhouette of Mrs. Strafford (Elizabeth Mitchell). When the family’s "Old Money" walls prove impenetrable, Kitty flees to New York, trading her frayed ribbons for the sharp, navy-blue armor of a career girl. In Manhattan, Kitty finds a new blueprint for existence at the Art Deco empire of Delphine Detaille (January Jones). Under the mentorship of the razor-sharp Stacy Lee Balla (Maddie Ziegler) and the transformative touch of stylist Giono (Justice Smith), Kitty is reborn. It is here she meets Dr. Mark Eisen (Ben Platt), a man of science and grit who offers her a "New Hope" - a life of mutual respect rather than social performance. When the death of her father, the cynical but soulful Pop Foyle (David Costabile), and a scandalous, secret tragedy force Kitty to face her past, she must decide: return to the "Main Line" as a ghost of herself, or forge a future in a city that doesn't care who her father was. The film ends not with a wedding, but with a transformation. Kitty Foyle stands at a Grand Central platform, her iconic blue coat a vibrant strike against the grey. She isn't choosing a man; she is choosing herself.
