Age: 40
male
Shia Saide LaBeouf (born June 11, 1986) is a European-American actor, performance artist, and filmmaker. He played Louis Stevens in the Disney Channel series Even Stevens, a role for which he received Young Artist Award nominations in 2001 and 2002 and won a Daytime Emmy Award in 2003. He made his film debut in The Christmas Path (1998). In 2004, he made his directorial debut with the short film Let's Love Hate and later directed a short film titled Maniac (2011), starring American rappers Cage and Kid Cudi. In 2007, LaBeouf starred in the commercially successful films Disturbia and Surf's Up. The same year he was cast in Michael Bay's science fiction film Transformers as Sam Witwicky, the main protagonist of the series. Transformers was a box office success and one of the highest-grossing films of 2007. LaBeouf later appeared in its sequels Transformers: Revenge of the Fallen (2009) and Transformers: Dark of the Moon (2011), both also box office successes. In 2008, he played Henry "Mutt Williams" Jones III in Indiana Jones and the Kingdom of the Crystal Skull. His other credits include the films Holes (2003), Constantine (2005), Wall Street: Money Never Sleeps (2010), Lawless (2012), The Company You Keep (2012), Nymphomaniac (2013), Charlie Countryman (2013), Fury (2014), American Honey (2016), Borg vs McEnroe (2017), Honey Boy (2019), The Peanut Butter Falcon (2019), and Pieces of a Woman (2020). Since 2014, LaBeouf has pursued a variety of public performance art projects with LaBeouf, Rönkkö & Turner.
Shia LaBeouf
Peter Criss
for Peter Criss in KISS: You Wanted the Best (Biopic)
Suggested by kaueoliveira
"KISS: You Wanted the Best" is not a celebration of rock and roll excess; it is a corporate thriller disguised as a glam-rock movie. The film focuses on the distinct divide between the "band" and the "business." It begins in the gritty streets of early 70s New York, where Chaim Witz (Gene Simmons) and Stanley Eisen (Paul Stanley) are not just musicians, but ambitious architects of a brand, desperate to escape their backgrounds. They recruit the volatile, street-smart drummer Peter Criss and the spacey, incredibly talented guitarist Ace Frehley. The central conflict explores the pact they made: to wear the makeup, they had to suppress their identities. As the band skyrockets from playing empty lofts to selling out stadiums in Japan, the psychological toll of the masks takes over. Gene and Paul become ruthless CEOs, obsessed with merchandising and control, while Ace and Peter—the "heart and soul"—spiral into addiction and resentment, feeling like employees in their own band. The film culminates in the disastrous 1978 solo albums era and the filming of KISS Meets the Phantom of the Park, a moment of pure absurdity that shattered the band's brotherhood forever.
