Age: 43
male
Daniel Jonathan Stevens (born 10 October 1982) is an English actor and singer. He first drew international attention for his role as Matthew Crawley in the ITV period drama series Downton Abbey (2010–2012). He also starred as David in the thriller film The Guest (2014), Sir Lancelot in the adventure film Night at the Museum: Secret of the Tomb (2014), The Beast/Prince in Disney's live-action adaptation of Beauty and the Beast (2017), Lorin Willis in the biographical legal drama Marshall (2017), Charles Dickens in the biographical drama The Man Who Invented Christmas (2017) and Russian Eurovision singer Alexander Lemtov in Eurovision Song Contest: The Story of Fire Saga (2020). From 2017 to 2019, he starred as David Haller in the FX series Legion. In 2018, he starred in the Netflix horror Apostle. Since 2023, he has starred as Korvo Opposites in the animated series Solar Opposites. In 2024, Stevens starred as Trapper in Godzilla x Kong: The New Empire. Description above from the Wikipedia article Dan Stevens, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Founded in Western Illinois in 1839 by the Mormon prophet Joseph Smith and his followers... situated on a hill and protected on three sides by the Mississippi River, the industrious Mormons quickly built a religious empire; at its peak, the city surpassed Chicago in population, with more than 12,000 inhabitants. The Mormons founded their own army, with Smith as its general; established their own courts; and went so far as to write their own constitution, in which they declared that there could be no separation of church and state, and that the world was to be ruled by Mormon priests. A raucous, violent, character-driven story, Kingdom of Nauvoo raises many of the central questions of American history, and even serves as a parable for the American present. How far does religious freedom extend? Can religious and other minority groups survive in a democracy where the majority dictates the law of the land? The Mormons of Nauvoo, who initially believed in the promise of American democracy, would become its strongest critics. Throughout his absorbing chronicle, Park shows the many ways in which the Mormons were representative of their era, and in doing so elevates nineteenth century Mormon history into the American mainstream.
