Age: 42
female
Claire Elizabeth Foy (born 16 April 1984) is an English actress. She studied acting at the Liverpool John Moores University and the Oxford School of Drama, and made her screen debut in the pilot of the supernatural comedy series Being Human, in 2008. Following her professional stage debut at the Royal National Theatre, she played the title role in the BBC One miniseries Little Dorrit (2008) and made her film debut in the American historical fantasy drama Season of the Witch (2011). Following leading roles in the television series The Promise (2011) and Crossbones (2014), Foy received praise for portraying the ill-fated queen Anne Boleyn in the miniseries Wolf Hall (2015). Foy was educated at Aylesbury High School from the age of 12 and later attended Liverpool John Moores University, studying drama and screen studies. She also trained in a one-year course at the Oxford School of Drama. She graduated in 2007 and moved to London's Peckham district to share a house with five friends from drama school. While at the Oxford School of Drama, Foy appeared in the plays Top Girls, Watership Down, Easy Virtue, and Touched. After appearing on television, she made her professional stage debut in DNA and The Miracle, two of a trio of single acts directed by Paul Miller at the Royal National Theatre in London (the third was Baby Girl). Foy gained international recognition for portraying the young Queen Elizabeth II in the first two seasons of the Netflix series The Crown, for which she won a Golden Globe and a Primetime Emmy, among other awards. In 2018, she starred in Steven Soderbergh's psychological thriller Unsane and portrayed Janet Shearon, wife of astronaut Neil Armstrong, in Damien Chazelle's biopic First Man. For the latter role, she was nominated for a BAFTA and a Golden Globe. Description above from the Wikipedia Claire Foy licensed under CC-BY-SA, full list of contributors on Wikipedia.
Ready or Scot... Globetrotter Addie Macrae always follows her wanderlust. As a travel consultant, she jet sets around the world-anywhere but Scotland. But when she's sent on assignment to help a struggling family-run tour company in the Highlands-and save her own job-Addie packs away her emotional baggage and turns on the professional charm. Rugged as the land he loves, Logan Sutherland's greatest joy is sharing the beauty of Scotland's hidden gems...even if it means a wee bit of red ink on the company's bottom line. The last thing Logan wants is some American "expert" pushing tourist traps and perpetuating myths about the Loch Ness Monster-especially when Addie never leaves her desk to experience the country for herself. As they wage an office war, Logan discovers Addie's secret connection to Scotland: a handful of faded Polaroids of her late mother. Hoping for a truce, he creates a private tour to the places in the pictures to help Addie find closure and appreciate the enchantment in less-traveled destinations, never expecting the off-limits attraction sparking between them. But Addie's contract is almost up, and magic won't pay the bills. They can't afford distractions, but how can Addie do her job if she hasn't explored all Scotland-and Logan-have to offer?
