Age: 47
male
Michael Cyril Creighton is an American actor best known for his portrayal of Howard Morris in Only Murders in the Building, Patrick in High Maintenance, Joe Crowley in Spotlight, and his Writers Guild of America Award-winning web series Jack in a Box. His mother and maternal grandparents raised Creighton on Long Island, New York. He works regularly in film, television and theatre, alternating between comedic and dramatic roles. Sarah Larson of The New Yorker says, "Creighton has a gift for expressing the tension between the desire to connect and the desire to protect oneself." On the stage, Creighton's credits include the world premiere of Jordan Harrison's The Amateurs at Vineyard Theater and the New York premiere of Sarah Ruhl's Stage Kiss at Playwrights Horizons. For his portrayal of Kevin in Stage Kiss, he was named a "Face to Watch" by The New York Times and nominated for an Outer Critics Circle Award for Outstanding Featured Actor in a Play. He has often worked with the Brooklyn-based theatre company The Debate Society, originating several roles. As a writer, in addition to creating and starring in the Writers Guild Award-winning web series Jack in a Box (2009–2012), he wrote and guest starred in an episode of the popular web series High Maintenance created by Katja Blichfeld & Ben Sinclair. The episode is called "Helen". He was a founding member of the New York Neo-Futurists and performed weekly in Too Much Light Makes the Baby Go Blind.
Michael Cyril Creighton
Martin Fairbrother
for Martin Fairbrother in Killers of a Certain Age
Suggested by williammganas
Billie, Mary Alice, Helen, and Natalie have worked for the Museum, an elite network of assassins, for forty years. Now their talents are considered old-school and no one appreciates what they have to offer in an age that relies more on technology than people skills. When the foursome is sent on an all-expenses paid vacation to mark their retirement, they are targeted by one of their own. Only the Board, the top-level members of the Museum, can order the termination of field agents, and the women realize they’ve been marked for death. Now to get out alive they have to turn against their own organization, relying on experience and each other to get the job done, knowing that working together is the secret to their survival. They’re about to show the Board what it really means to be a woman—and a killer—of a certain age.
