Age: 62
female
Laura Leggett Linney (born February 5, 1964) is an American actress. She is the recipient of several awards, including two Golden Globe Awards and four Primetime Emmy Awards, and has been nominated for three Academy Awards and five Tony Awards. Linney made her Broadway debut in 1990 before going on to receive Tony Award nominations for the 2002 revival of The Crucible, the original Broadway productions of Sight Unseen (2004), Time Stands Still (2010), My Name Is Lucy Barton (2020), and the 2017 revival of The Little Foxes. On television, she won her first Emmy Award for the television film Wild Iris (2001), and had subsequent wins for the sitcom Frasier (2003–04) and the miniseries John Adams (2008). From 2010 to 2013, she starred in the Showtime series The Big C, which won her a fourth Emmy in 2013, and from 2017 to 2022 she starred in the Netflix crime series Ozark. Linney is also an established film actress. She made her film debut with a minor role in Lorenzo's Oil (1992) and went on to receive Academy Award nominations for the dramas You Can Count on Me (2000), Kinsey (2004), and The Savages (2007). She's also known for her performances in Primal Fear (1996), The Truman Show (1998), Mystic River and Love Actually (both 2003), The Squid and the Whale (2005), The Nanny Diaries (2007), Hyde Park on Hudson (2012), Mr. Holmes (2015), Sully and Nocturnal Animals (both 2016).
Laura Linney
Natalie Schuyler
for Natalie Schuyler in Killers of a Certain Age
Suggested by megleggett
Older women often feel invisible, but sometimes that's their secret weapon. They've spent their lives as the deadliest assassins in a clandestine international organization, but now that they're sixty years old, four women friends can't just retire - it's kill or be killed in this action-packed thriller by New York Times bestselling and Edgar Award-nominated author Deanna Raybourn. Billie, Mary Alice, Helen, and Natalie have worked for the Museum, an elite network of assassins, for forty years. Now their talents are considered old-school and no one appreciates what they have to offer in an age that relies more on technology than people skills. When the foursome is sent on an all-expenses paid vacation to mark their retirement, they are targeted by one of their own. Only the Board, the top-level members of the Museum, can order the termination of field agents, and the women realize they've been marked for death. Now to get out alive they have to turn against their own organization, relying on experience and each other to get the job done, knowing that working together is the secret to their survival. They're about to teach the Board what it really means to be a woman--and a killer--of a certain age.
