Age: 69
female
Sela Ward (born July 11, 1956) is an American movie and television actress, producer, author, and former model. She moved to California to pursue acting and landed her first film role in the 1983 Burt Reynolds vehicle The Man Who Loved Women. Her first regular role in a TV drama series, as a socialite on Dennis Weaver's short-lived CBS series, Emerald Point N.A.S., followed in the same year. Ward continued to land guest roles in both TV and movies throughout the 1980s, most notably opposite Tom Hanks in Nothing in Common (1986). In 1991, she was cast as Teddy Reed on Sisters, for which she received her first Emmy for Outstanding Lead Actress in a Drama Series in 1994. She portrayed Helen Kimble, the wife of Dr. Richard Kimble (Harrison Ford), in The Fugitive, one of the top films of 1993. Ward won a CableACE Award for her portrayal of the late TV journalist Jessica Savitch in the 1995 TV movie Almost Golden: The Jessica Savitch Story, which remains Lifetime's most watched TV movie to date. In 1995, she was passed over for a Bond girl role, learning that even though then-Bond Pierce Brosnan was 42, the casting director said "What we really want is Sela, but Sela ten years ago". In response, she developed and produced a documentary, The Changing Face of Beauty, about American obsession with youth and its effect on women. Ward succeeded Candice Bergen as commercial spokesperson for Sprint's long distance phone service (1999-2002). She also appeared on Frasier as supermodel/ zoologist Kelly Easterbrook in the 5th season opener ("Frasier's Imaginary Friend"). When she read for the role of Lily Brooks Manning on the ABC drama series Once and Again (1999–2002), its creators (Edward Zwick and Marshall Herskovitz of thirtysomething fame) initially deemed her "too beautiful" for the average single mother to identify with. Ward received her 2nd lead actress Primetime Emmy Award and a Golden Globe Award for Best Actress – Television Series Drama In 2004, she played the a private investigator in the TV movie Suburban Madness and she also appeared in the feature film The Day After Tomorrow with Dennis Quaid and Jake Gyllenhaal. In 2005, she landed a recurring role in the Fox series House as Stacy Warner, the hospital's attorney and formidable ex-partner of the protagonist Dr. Gregory House (Hugh Laurie), until her character was written off the show in 2006. She was originally offered both the role of Megan Donner on CSI: Miami and Susan Mayer on Desperate Housewives, but turned both down. She was reluctant to commit to another lead role in an hour-long series because of the time away from her family it would require. Although she was on a brief hiatus from TV, she continued to appear in feature films. She starred opposite Kevin Costner in The Guardian in 2006 and starred in the thriller The Stepfather in 2009. In July 2010, she signed on to star in CSI: NY at the start of the 7th season and remained until the 9th and final season'. She appeared as newswoman Sharon Schieber in Gone Girl (2014), and co-starred as the President of the United States in Independence Day: Resurgence (2016). She also played the leading role alongside Nick Nolte in the political comedy series Graves. She had a leading role in the crime series FBI (2018) for its' 1st season.
Sela Ward
Helen Randolph
for Helen Randolph in Killers of a Certain Age
Suggested by kbazyk
Older women often feel invisible, but sometimes that's their secret weapon. They've spent their lives as the deadliest assassins in a clandestine international organization, but now that they're sixty years old, four women friends can't just retire - it's kill or be killed in this action-packed thriller by New York Times bestselling and Edgar Award-nominated author Deanna Raybourn. Billie, Mary Alice, Helen, and Natalie have worked for the Museum, an elite network of assassins, for forty years. Now their talents are considered old-school and no one appreciates what they have to offer in an age that relies more on technology than people skills. When the foursome is sent on an all-expenses paid vacation to mark their retirement, they are targeted by one of their own. Only the Board, the top-level members of the Museum, can order the termination of field agents, and the women realize they've been marked for death. Now to get out alive they have to turn against their own organization, relying on experience and each other to get the job done, knowing that working together is the secret to their survival. They're about to teach the Board what it really means to be a woman--and a killer--of a certain age.
