Age: 83
female
Holland Virginia Taylor (born January 14, 1943) is an American actress. She won the 1999 Primetime Emmy Award for Outstanding Supporting Actress in a Drama Series for her role as Judge Roberta Kittleson on ABC's The Practice (1998–2003). For her portrayal of Evelyn Harper on the CBS comedy Two and a Half Men (2003–15), she received a total of four Primetime Emmy Award nominations. Taylor's other notable television credits include starring roles on the sitcoms Bosom Buddies (1980–82), The Powers That Be (1992–93) and The Naked Truth (1995–98). She also appeared as Jill Ollinger on the soap opera All My Children (1981–83), as Peggy Peabody on The L Word (2004–08), and as Ida Silver on Mr. Mercedes (2017–19). In 2020, she received critical praise and her eighth Primetime Emmy Award nomination for portraying Ellen Kincaid in the Netflix miniseries Hollywood. Taylor's feature film credits include Romancing the Stone (1984) and its sequel (1985), Alice (1990), To Die For (1995), One Fine Day (1996), George of the Jungle (1997), The Truman Show (1998), Happy Accidents (2000), Keeping the Faith (2000), Legally Blonde (2001), The Wedding Date (2005), Baby Mama (2008), Gloria Bell (2018), Bill & Ted Face the Music (2020), and The Stand In (2020). Taylor wrote and starred in the one-woman play, Ann, based on the life and work of Ann Richards. For this, she received a nomination for the Tony Award for Best Actress. Description above from the Wikipedia article Holland Taylor, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Holland Taylor
Constance Halliday
for Constance Halliday in Killers of a Certain Age
Suggested by plet1
Older women often feel invisible, but sometimes that's their secret weapon. They've spent their lives as the deadliest assassins in a clandestine international organization, but now that they're sixty years old, four women friends can't just retire - it's kill or be killed in this action-packed thriller by New York Times bestselling and Edgar Award-nominated author Deanna Raybourn. Billie, Mary Alice, Helen, and Natalie have worked for the Museum, an elite network of assassins, for forty years. Now their talents are considered old-school and no one appreciates what they have to offer in an age that relies more on technology than people skills. When the foursome is sent on an all-expenses paid vacation to mark their retirement, they are targeted by one of their own. Only the Board, the top-level members of the Museum, can order the termination of field agents, and the women realize they've been marked for death. Now to get out alive they have to turn against their own organization, relying on experience and each other to get the job done, knowing that working together is the secret to their survival. They're about to teach the Board what it really means to be a woman--and a killer--of a certain age.
