Age: 48
male
Matthew Goode (born 3 April 1978) is an English actor. He made his screen debut in 2002 with ABC's TV film feature Confessions of an Ugly Stepsister. His breakthrough role was in the romantic comedy Chasing Liberty (2004), for which he received a nomination at Teen Choice Awards for Choice Breakout Movie Star – Male. He then appeared in a string of supporting roles in films like Woody Allen's Match Point (2005), the German-British romantic comedy Imagine Me and You (2006), and the period drama Copying Beethoven (2006). He won praise for his performance as Charles Ryder in Julian Jarrold's adaptation of Evelyn Waugh's Brideshead Revisited (2008), and as Ozymandias in the American neo-noir superhero film Watchmen (2009), based on the comics by Alan Moore and Dave Gibbons. He then starred in romantic comedy Leap Year (2010) and Australian drama Burning Man (2011), the latter earning him a nomination for Best Actor at the Film Critics Circle of Australia Awards. Other notable film roles include The Lookout (2007), A Single Man (2009), Cemetery Junction (2010), Stoker (2013), Belle (2013), The Imitation Game (2014) and Self/less (2015). As well as appearing in films, Goode has appeared in numerous television shows. His most notable television roles include Henry Talbot in the final season of historical drama Downton Abbey, and Finley "Finn" Polmar in the CBS legal drama The Good Wife. He also had a lead role in the critically acclaimed British mini-serial Dancing on the Edge, as music journalist Stanley Mitchell. In 2017, Goode portrayed Antony Armstrong-Jones, 1st Earl of Snowdon in the Netflix biographical drama series The Crown, for which he received a Primetime Emmy Award nomination for Outstanding Guest Actor in a Drama Series. As of 2018, he stars in Sky One's fantasy-romance series, A Discovery of Witches, as Professor Matthew Clairmont.
Thom and Wendy Graves have been married for over twenty-five years. They live in a beautiful Victorian on the north shore of Massachusetts. Wendy is a published poet, and Thom teaches English literature at a nearby university. Their son, Jason, is all grown up. All is well…except that Wendy wants to murder her husband. What happens next has everything to do with what happened before. The story of Wendy and Thom’s marriage is told in reverse, moving backward through time to witness key moments from the couple’s lives—their fiftieth birthday party, buying their home, Jason’s birth, the mysterious death of a work colleague—all painting a portrait of a marriage defined by a single terrible act they plotted together many years ago. Eventually, we learn the details of what Thom and Wendy did in their early twenties, a secret that has kept them bound together through the length of their marriage. But its power over them is fraying, and each of them begins to wonder if they would be better off making sure their spouse carries their secrets to the grave.
