Age: 38
male
Michael Austin Cera (born June 7, 1988) is a Canadian actor and musician. He started his career as a child actor, voicing the character of Brother Bear on the children’s television show The Berenstain Bears and portraying a young Chuck Barris in Confessions of a Dangerous Mind (2002). He has had numerous roles in United States television and film productions, including character George Michael Bluth on the sitcom Arrested Development (2003–2006, 2013, 2018–2019) and for his film roles as Evan in Superbad (2007), Paulie Bleeker in Juno (2007), Scott Pilgrim in Scott Pilgrim vs. the World (2010), and a fictional version of himself in This Is the End (2013). He voiced Dick Grayson/Robin in The Lego Batman Movie (2017), Barry (a deformed sausage) in Sausage Party (2016), and Sal Viscuso, the voice behind the announcements in Childrens Hospital. Cera made his Broadway debut in the 2014 production of Kenneth Lonergan's This Is Our Youth. For his performance in the 2018 production of Lonergan's Lobby Hero, Cera was nominated for the Tony Award for Best Performance by a Featured Actor in a Play. Cera starred in the revival of Lonergan's The Waverly Gallery. In addition to acting, Cera is a musician, having released his debut album True That in 2014. Cera has also performed as the touring bassist for indie rock supergroup Mister Heavenly.
After suffering an epic tumble down the corporate ladder, Cassie Woodson finds that the only way she can pay her bills is to take a thankless temp job reviewing correspondence in a large-scale fraud suit. The daily drudgery amplifies all that her life is lacking: love, friends, stability. While sorting through a relentless deluge of emails, something catches her eye: the tender (and totally private) exchanges between a partner at the firm, Forest Watts, and his enchanting wife, Annabelle. Even though Cassie knows she shouldn't read them, taking just one look becomes a daily ritual. Soon, Cassie finds herself dissecting their emails. A few clicks of her mouse, and she can read their every adoring word, which fills her with a newfound purpose and admiration for the couple's love of morning juice presses, vintage wines, and lavish dinners. Soon her admiration becomes all-out mimicry. She wants this life more than anything, because it's the life she should have had. But when Cassie orchestrates a "chance" encounter with Forest, the fantasy shatters, and sud-denly, she doesn't simply admire Annabelle Watts's marriage-she wants it. And she's armed with all the tools to make that happen.
