Age: 77
male
Victor Jay Garber, OC (born March 16, 1949) is a Canadian actor. Known for his work on stage and screen, he has been nominated for three Gemini Awards, four Tony Awards, and six Primetime Emmy Awards. In 2022, he was made an Officer of the Order of Canada. Garber is perhaps best known for playing Jesus in Godspell, Jack Bristow in the television series Alias and Thomas Andrews in James Cameron's Titanic. Born in 1949 to Joseph and Hope Garber, Victor discovered his passion for acting early on. Beginning at nine, he honed his craft at the University of Toronto's Hart House, starting a career that spans over four decades. From notable TV roles in "The Slap," "The Flash," and "Motive" to acclaimed performances in "Alias," earning three Emmy nods, Victor’s talent extends to the stage, earning four Tony nominations. He’s celebrated for his on-screen presence, sharing in SAG Award nominations for "Milk" and "Titanic" and winning for "Argo." Beyond acting, he learned officiating to marry Jennifer Garner and Ben Affleck and was the lead singer of the pop group Sugar Shoppe.
Victor Garber
Pontius Pilate
for Pontius Pilate in Jesus Christ Superstar
Suggested by mr95
Jesus Christ Superstar is a 1970 rock opera with music by Andrew Lloyd Webber and lyrics by Tim Rice. It started as a rock opera album musical before its Broadway on-stage debut in 1971. The musical is mostly sung-through, with little spoken dialogue. The story is loosely based on the Gospels' accounts of the last week of Jesus' life, beginning with the preparation for the arrival of Jesus and his disciples in Jerusalem and ending with the crucifixion. It depicts political and interpersonal struggles between Judas Iscariot and Jesus that are not present in the Bible. The work's depiction offers a free interpretation of the psychology of Jesus and other characters. Much of the plot centers on Judas, who is dissatisfied with the direction in which Jesus is steering his disciples. Contemporary attitudes, sensibilities, and slang pervade the rock-opera's lyrics, and ironic allusions to modern life are scattered throughout the depiction of political events. Stage and film productions accordingly contain many intentional anachronisms.
