Age: 44
male
Brandon Victor Dixon (born September 23, 1981) is an American actor, singer and theatrical producer. As an actor, he is known for Tony-nominated Broadway performances as Harpo in the 2005 musical The Color Purple and Eubie Blake in Shuffle Along, or, the Making of the Musical Sensation of 1921 and All That Followed (2016). He originated both roles, as well as the leading role of Berry Gordy Jr. in Motown: The Musical (2013) on Broadway, which earned a Grammy nomination for Best Musical Theater Album. In 2016, Dixon assumed the role of Aaron Burr in the Broadway company of Hamilton. Off-Broadway as well as in London's West End, Dixon played the role of Hayward Patterson in The Scottsboro Boys. As a producer, Dixon's credits include Broadway revivals Of Mice and Men (2014) and Hedwig and the Angry Inch; the latter won the 2014 Tony Award and the Drama Desk Award for best revival of a musical. In 2018, Dixon portrayed Judas Iscariot in NBC's live concert version of Andrew Lloyd Webber and Tim Rice's rock opera, Jesus Christ Superstar, for which he received a Primetime Emmy nomination for Outstanding Supporting Actor in a Limited Series or Movie. From Wikipedia, the free encyclopedia
Brandon Victor Dixon
Judas Iscariot
for Judas Iscariot in Jesus Christ Superstar
Suggested by mr95
Jesus Christ Superstar is a 1970 rock opera with music by Andrew Lloyd Webber and lyrics by Tim Rice. It started as a rock opera album musical before its Broadway on-stage debut in 1971. The musical is mostly sung-through, with little spoken dialogue. The story is loosely based on the Gospels' accounts of the last week of Jesus' life, beginning with the preparation for the arrival of Jesus and his disciples in Jerusalem and ending with the crucifixion. It depicts political and interpersonal struggles between Judas Iscariot and Jesus that are not present in the Bible. The work's depiction offers a free interpretation of the psychology of Jesus and other characters. Much of the plot centers on Judas, who is dissatisfied with the direction in which Jesus is steering his disciples. Contemporary attitudes, sensibilities, and slang pervade the rock-opera's lyrics, and ironic allusions to modern life are scattered throughout the depiction of political events. Stage and film productions accordingly contain many intentional anachronisms.
