
Age: 30
female
Florence Pugh (/pjuː/ PEW; born 3 January 1996) is an English actress. After making her acting debut in the drama film The Falling (2014), Pugh gained praise for starring in the independent drama Lady Macbeth (2016) and the miniseries The Little Drummer Girl (2018). Her international breakthrough came in 2019 with her portrayals of professional wrestler Paige in the sports film Fighting with My Family, a despondent American woman in the horror film Midsommar, and Amy March in the period drama Little Women. For the last of these, she was nominated for the Academy Award for Best Supporting Actress. Pugh has played Yelena Belova in the Marvel Cinematic Universe, starring in the films Black Widow (2021) and Thunderbolts* (2025) and the Disney+ miniseries Hawkeye (2021). In her highest-grossing releases, she voiced Goldilocks in Puss in Boots: The Last Wish (2022) and portrayed Jean Tatlock in Oppenheimer (2023) and Princess Irulan in Dune: Part Two (2024). She also continued to gain praise for her performances in dramas such as We Live in Time (2024). Description above from the Wikipedia article Florence Pugh, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Florence Pugh

Mildred Marie Wilson
for Mildred Marie Wilson in JAMES BYRON DEAN
Suggested by nickienicks

In 1955, a young man drives into legend - and leaves behind a life no one fully understood. James Byron Dean is a haunting, nonlinear portrait of James Dean, tracing his meteoric rise and unraveling identity across the final years of his life. Moving between his fractured Indiana childhood, his restless search for meaning in New York, and his volatile ascent in Hollywood, the series explores how a quiet, searching actor became the defining symbol of rebellion for a generation. Through intimate and often conflicting relationships - with confidant William Bast, tragic love Pier Angeli, and the powerful forces of the studio system - Dean is shaped, challenged, and ultimately consumed by the very image that makes him famous. Directors like Elia Kazan and Nicholas Ray see brilliance in his unpredictability, while Hollywood executives and gossip columnists begin crafting a myth that grows beyond his control. As Dean delivers raw, era-defining performances in East of Eden, Rebel Without a Cause, and Giant, the line between actor and role dissolves. Off-screen, his life becomes a patchwork of longing, reinvention, and contradiction - romanticized by the media, misunderstood by those closest to him, and driven by a need for connection he can never quite satisfy. Told through shifting perspectives and memory fragments, James Byron Dean reveals not just the man, but the making of an icon. By the time his life ends at just 24, the world has already begun rewriting him - transforming a restless young actor into an enduring symbol of youth, defiance, and the beauty of burning out too soon.