Age: 45
male
Nicholas Britell (born October 17, 1980) is an American film and television composer. He has received numerous accolades, including an Emmy Award, as well as nominations for three Academy Awards and a Grammy Award. He has received Academy Award nominations for Best Original Score for Barry Jenkins's Moonlight (2016), If Beale Street Could Talk (2018), and Adam McKay's Don't Look Up (2021). He also scored McKay's The Big Short (2015) and Vice (2018). He is also known for scoring Battle of the Sexes (2017), The King (2019), Cruella (2021), and She Said (2022). The HBO original series Succession (2018–2023) marked Britell's entry into television. Britell scored all four seasons, earning the Emmy Award for Outstanding Original Main Title Theme Music in 2019. His scores for the second, third, and fourth seasons of Succession each earned the Primetime Emmy Award for Outstanding Music Composition for a Series nominations in 2020, 2022, and 2023. His score for The Underground Railroad was nominated for the Primetime Emmy Award for Outstanding Music Composition for a Limited or Anthology Series, Movie or Special in 2021. His works, as described by Soraya McDonald of Film Comment, "seem to organically straddle accessibility and sophistication in a way that goes beyond the typical programming of a big-city pops orchestra...That might have something to do with the fact that Britell has long had one foot in the world of hip-hop and another in the world of classical music." Description above from the Wikipedia article Nicholas Britell, licensed under CC-BY-SA, full list of contributors on Wikipedia.
In 1955, a young man drives into legend - and leaves behind a life no one fully understood. James Byron Dean is a haunting, nonlinear portrait of James Dean, tracing his meteoric rise and unraveling identity across the final years of his life. Moving between his fractured Indiana childhood, his restless search for meaning in New York, and his volatile ascent in Hollywood, the series explores how a quiet, searching actor became the defining symbol of rebellion for a generation. Through intimate and often conflicting relationships - with confidant William Bast, tragic love Pier Angeli, and the powerful forces of the studio system - Dean is shaped, challenged, and ultimately consumed by the very image that makes him famous. Directors like Elia Kazan and Nicholas Ray see brilliance in his unpredictability, while Hollywood executives and gossip columnists begin crafting a myth that grows beyond his control. As Dean delivers raw, era-defining performances in East of Eden, Rebel Without a Cause, and Giant, the line between actor and role dissolves. Off-screen, his life becomes a patchwork of longing, reinvention, and contradiction - romanticized by the media, misunderstood by those closest to him, and driven by a need for connection he can never quite satisfy. Told through shifting perspectives and memory fragments, James Byron Dean reveals not just the man, but the making of an icon. By the time his life ends at just 24, the world has already begun rewriting him - transforming a restless young actor into an enduring symbol of youth, defiance, and the beauty of burning out too soon.
