Age: 24
female
Mawar Eva de Jongh (born September 26, 2001, in Amsterdam, the Netherlands) is a popular Indonesian actress, singer, and model. She rose to prominence through her portrayal of Annelies Mellema in the 2019 film adaptation Bumi Manusia (This Earth of Mankind), based on the acclaimed novel by Pramoedya Ananta Toer. Her career in the entertainment industry began at an early age—as a child model—and continued through numerous TV movies (FTV), soap operas, and her musical debut with the singles “Heartbeat” (2018) and “Lebih Dari Egoku” (2019), the latter of which reached number two on the Billboard Indonesia Top 100. Although she comes from a Dutch–Karo heritage and was raised in Medan and Bekasi, Mawar has achieved success across multiple creative fields: as an actress, singer, and model. She is currently pursuing a distance-learning program in Communication Studies at Pelita Harapan University, all while continuing to thrive in film, television, and music to this day.
Mawar Eva De Jongh
Punk #8
for Punk #8 in Jakarta Apocalypse (Live Action Film)
Suggested by nihilus
In the decaying underbelly of Jakarta, Indonesia, a brutal power struggle erupts between gangs that rule the night. Augmented with illegal cybernetic tech, these warlords settle disputes in gladiatorial pits, where flesh and steel collide in showers of neon-lit blood. But when a rogue hacker collective unleashes a digital plague, the chaos mutates into something far worse: the infected become half-machine, half-rotting husks — an army of unstoppable chrome zombies tearing through the streets. As rival factions scramble for dominance, darker forces arrive. Portals rip jagged holes in reality, vomiting demons straight from hell into Jakarta’s alleyways and night markets. The police mount a desperate investigation, only to be annihilated, shredded in the crossfire between monsters, gangs, and the supernatural. Amid the chaos rises an unlikely force — a martial arts gang of punk college dropouts, once campus bullies and street brawlers, now dragged into a war they barely understand. Their fists, once used for petty fights, are thrown against cybernetic warlords, zombie hybrids, and abyss-born demons in battles that should have killed them. With law and order extinguished, Jakarta descends into pure anarchy. Neon burns against fire, demons stalk alongside cyber-freaks, punk dropouts carve legends in blood, and gang lords crown themselves as kings of hell. Nothing can be contained, and the city itself becomes the battlefield of its own damnation. Heavy black and red color scheme
