Age: 37
female
Lily Jane Collins (born 18 March 1989) is a British and American actress and model. Born in Guildford, Surrey and raised in Los Angeles, Collins began performing on screen at the age of two in the BBC sitcom Growing Pains. In the late 2000s, Collins began acting and modelling more regularly, and she had a career breakthrough with her performance in the sports-drama film The Blind Side, which was the third highest-grossing film of 2009. She went on to appear in leading roles across feature films such as the sci-fi action-horror Priest (2011), the psychological action-thriller Abduction (2011), the fantasy Mirror Mirror (2012), the urban fantasy The Mortal Instruments: City of Bones (2013), and the independent romantic comedies Stuck in Love (2012), The English Teacher (2013), and Love, Rosie (2014). Collins was critically acclaimed for her roles as Marla Mabrey in the comedy Rules Don't Apply (2016), which earned her a nomination for the Golden Globe Award for Best Actress – Motion Picture Musical or Comedy, and for her portrayal of a young adult with anorexia in the controversial Netflix drama To the Bone (2017). She has also achieved recognition for her work in biographical films: she starred as Liz Kendall in the Netflix drama Extremely Wicked, Shockingly Evil and Vile (2019), as J.R.R. Tolkien's wife Edith in Tolkien (2019), and as Rita Alexander in Mank (2020), the latter of which was a critical success, earning 10 Academy Award nominations. Collins played Fantine in the BBC miniseries adaptation of Les Misérables (2018–2019), and, since 2020, she has portrayed Emily Cooper in the Netflix series Emily in Paris. For the latter, she received a nomination for the Golden Globe Award for Best Actress – Television Series Musical or Comedy. She made her writing debut with Unfiltered: No Shame, No Regrets, Just Me (2017) in which she discussed her struggles with mental health, including an eating disorder she suffered as a teenager.
In the last days before her death, Nel called her sister. Jules didn’t pick up the phone, ignoring her plea for help. Now Nel is dead. They say she jumped. And Jules has been dragged back to the one place she hoped she had escaped for good, to care for the teenage girl her sister left behind. But Jules is afraid. So afraid. Of her long-buried memories, of the old Mill House, of knowing that Nel would never have jumped. And most of all she’s afraid of the water, and the place they call the Drowning Pool . . .
