Age: 40
female
Emerald Lilly Fennell (born 1 October 1985) is an English actress, filmmaker, and writer. She has received numerous accolades, including an Academy Award, two BAFTA Awards, and nominations for three Primetime Emmy Awards and three Golden Globe Awards. Fennell first gained attention for her roles in period films, such as Albert Nobbs (2011), Anna Karenina (2012), and The Danish Girl (2015). She gained prominence for her starring role in the BBC One drama series Call the Midwife (2013–2017) and for her portrayal of Camilla Parker-Bowles in the Netflix drama series The Crown (2019–2020), the latter of which garnered her a Primetime Emmy Award nomination. As a writer-director, Fennell is known as the showrunner for season two of the BBC spy thriller series Killing Eve (2019), which earned her two Primetime Emmy Award nominations. She made her feature film directorial debut with the thriller Promising Young Woman (2020), for which she won the Academy Award for Best Original Screenplay and received nominations for Best Picture and Best Director. Fennell also wrote the book for Andrew Lloyd Webber's musical Cinderella (2021) and directed her second film, the psychological thriller Saltburn (2023). Description above from the Wikipedia article Emerald Fennell, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Aside from the fact that they are brothers, Peter and Ivan Koubek seem to have little in common. Peter is a Dublin lawyer in his thirties—successful, competent, and apparently unassailable. But in the wake of their father’s death, he’s medicating himself to sleep and struggling to manage his relationships with two very different women—his enduring first love, Sylvia, and Naomi, a college student for whom life is one long joke. Ivan is a twenty-two-year-old competitive chess player. He has always seen himself as socially awkward, a loner, the antithesis of his glib elder brother. Now, in the early weeks of his bereavement, Ivan meets Margaret, an older woman emerging from her own turbulent past, and their lives become rapidly and intensely intertwined. For two grieving brothers and the people they love, this is a new interlude—a period of desire, despair, and possibility; a chance to find out how much one life might hold inside itself without breaking.
