Age: 76
male
Alan Anthony Silvestri (born March 26, 1950) is an American composer, conductor, orchestrator and music producer of film scores. He has received two Grammy Awards, two Primetime Emmy Awards, and nominations for two Academy Awards and two Golden Globe Awards. He has been associated with director Robert Zemeckis since 1984, composing music for nearly all of his feature films, including the Back to the Future film series (1985–1990), Who Framed Roger Rabbit (1988), Death Becomes Her (1992), Forrest Gump (1994), Contact (1997), What Lies Beneath (2000), Cast Away (2000), The Polar Express (2004), Beowulf (2007), Flight (2012) and The Walk (2015). Silvestri also scored many other popular movies, including Predator (1987), The Abyss (1989), Father of the Bride (1991), The Bodyguard (1992), Eraser (1996), The Parent Trap (1998), Stuart Little (1999), The Mummy Returns (2001), Lilo & Stitch (2002), Van Helsing (2004), Night at the Museum trilogy, G.I. Joe: The Rise of Cobra (2009), The A-Team (2010), Ready Player One (2018), and several Marvel Cinematic Universe films, including the Avengers films. Description above from the Wikipedia article Alan Silvestri, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Alan Silvestri
Composer
for Composer in Imhotep : Hero or Monster
Suggested by jeanpaulvalley
Nearly five thousand years ago, at the time of the pyramids, the high priest Imhotep, along with the royal court, were murdered by traitors who wanted to overthrow the crown. He, and Pharaoh Ahmanet, were cursed and mummified alive before being locked up in Hamunaptra. In 2020, Imhotep is however accidentally awakened by researchers and he realizes that his beloved Egypt is falling into Chaos because of a private army led by a rich unscrupulous criminal, so he intends to use his great powers to solve the problem. However, he will not be alone, because Ahmanet, who had already been awakening for several decades, returns to her country with some other extraordinary beings with whom she works as a team around the world and forms a family. Remembering the past, she will do anything to help her former vizier and friend, whom she is happy to find again, but the curse seems to have made him worse than before. In such a context, will Imhotep become a new figure of hope... or another face of oppression ?
