Age: 44
female
Chloé Zhao (born Zhao Ting, in Chinese: 赵婷; 31 March 1982) is a Chinese-born filmmaker. She is known primarily for her work on independent films. For her film Nomadland (2020), Zhao is the second of three women to win the Academy Award for Best Director. Songs My Brothers Taught Me (2015), her debut feature film, premiered at Sundance Film Festival to critical acclaim and earned a nomination for the Independent Spirit Award for Best First Feature. The Rider (2017) was critically acclaimed and received nominations for the Independent Spirit Award for Best Film and Best Director. Zhao garnered international recognition with the American film Nomadland (2020), which she wrote, produced, edited and directed, and which won numerous accolades, including the Golden Lion at the Venice Film Festival and the People's Choice Award at the Toronto International Film Festival. Earning four Academy Award nominations for the film, Zhao won Best Picture and Best Director, becoming the first woman of color to win the latter. She also won awards for directing at the Directors Guild of America Awards, Golden Globe Awards, and British Academy Film Awards, becoming the second female winner of each of them. Zhao co-wrote and directed the Marvel Cinematic Universe superhero film Eternals (2021). Her latest film, Hamnet, premiered at the 52nd Telluride Film Festival to critical acclaim. Description above from the Wikipedia article Chloé Zhao, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Oliver is one of seven young Shakespearean actors at Dellecher Classical Conservatory, a place of keen ambition and fierce competition. In this secluded world of firelight and leather-bound books, Oliver and his friends play the same roles onstage and off: hero, villain, tyrant, temptress, ingénue, extras. But in their fourth and final year, good-natured rivalries turn ugly, and on opening night real violence invades the students world of make-believe. In the morning, the fourth-years find themselves facing their very own tragedy, and their greatest acting challenge yet: Convincing the police, each other, and themselves that they are innocent.
