
Age: 40
female
Gemma Christina Arterton (born 2 February 1986) is an English actress and producer. After her stage debut in Shakespeare's Love's Labour's Lost at the Globe Theatre (2007), Arterton made her feature film debut in the comedy St Trinian's (2007). She portrayed Bond Girl Strawberry Fields in the James Bond film Quantum of Solace (2008), a performance which won her an Empire Award for Best Newcomer. Arterton has since appeared in a number of films, including The Disappearance of Alice Creed (2009), Tamara Drewe (2010), Clash of the Titans (2010), Prince of Persia: The Sands of Time (2010), Hansel & Gretel: Witch Hunters (2013), Their Finest (2016), The Escape (2017), and Vita and Virginia (2018). She received the Harper's Bazaar Woman of the Year Award for acting in and producing The Escape. Her theatrical highlights have included starring in The Duchess of Malfi (2014), Made in Dagenham (2014), Nell Gwynn (2016) and Saint Joan (2017). Arterton was nominated for Olivier Awards for her work on both Nell Gwynn and Made in Dagenham, and she won the Evening Standard Theatre Award for the latter. Since 2016, Arterton has run her own production company, Rebel Park Productions, which focuses on creating female-led content in front of and behind the camera. She has executive-produced four feature films and two short films. She is also on record as being a supporter of the Time's Up, ERA 50:50 and MeToo movements. Arterton played an integral role in persuading actresses to wear black at the 2018 BAFTAs in support of Time'sUp, and has been involved with ERA 50:50, an equal pay campaign in the UK, since its inception.

For Samantha Miller's young fans - her 'girls' - she's everything they want to be. She's an oracle, telling them how to live their lives, how to be happy, how to find and honour their 'truth'. And her career is booming: she's just hit three million followers, her new book Chaste has gone straight to the top of the bestseller lists and she's appearing at sell-out events. Determined to speak her truth and bare all to her adoring fans, she's written an essay about her sexual awakening as a teenager, with her female best friend, Lisa. She's never told a soul but now she's telling the world. The essay goes viral. But then - years since they last spoke - Lisa gets in touch to say that she doesn't remember it that way at all. Her memory of that night is far darker. It's Sam's word against Lisa's - so who gets to tell the story? Whose 'truth' is really a lie?


