Age: 48
male
Colin Lewes Hanks is an American actor and filmmaker. He is best known for his role as Gus Grimly on the FX crime series Fargo (2014–2015), which earned him nominations for a Golden Globe Award, a Primetime Emmy Award, and a Critics' Choice Television Award. Hanks gained mainstream attention after a main role on the WB science fiction series Roswell (1999–2001) and his lead role in the film Orange County (2002), which was followed by a starring role in the blockbuster King Kong (2005). Hanks has also had starring roles in the films The Great Buck Howard (2008), Untraceable (2008), The House Bunny (2008), Parkland (2013), and Elvis & Nixon (2016). He had a supporting role as Alex Vreeke in the Jumanji film series (2017–2019). Hanks had a main role as Jack Bailey on the Fox series The Good Guys (2010) and a recurring role as Travis Marshall on the Showtime series Dexter (2011), the latter of which earned him a Screen Actors Guild Award nomination. Hanks' other main television roles include Greg Short on the CBS sitcom Life in Pieces (2015–2019), Barry Lapidus on the Paramount+ miniseries The Offer (2022), and Bob Broberg in Peacock's A Friend of the Family (2022). He voiced the titular character on the web series Talking Tom & Friends (2014–2021).
So how do you introduce young thespians and audiences to Shakespeare without turning them off? This one-act no-set romp takes that snooty, sophisticated aura off Bill once and for all by poking fun while at the same time demonstrating his relevance to today’s modern world. What if Juliet went on “The Dating Game?” What if “Titus Andronicus” had been written as a gentle comedy of manners? What if something went wrong every time someone mentioned the word “Macbeth?” What if Othello, Iago and Desdemona appeared on “The Jerry Springer Show?” What if zombies tried to stage “Richard III?” What if the Immortal Bard of Avon married Mr. Drysedale’s secretary from “The Beverly Hillbillies?” What if a cow threw a pie at the director? With actual Shakespearean lines added into the mix, the play painlessly eases audiences and performers alike into the world of the world’s greatest playwright. On tour or in the classroom, “I Hate Shakespeare!” can be staged in a mere hour by as few as 5 performers or as many as 25, with a cast of adults or kids. Don’t forget to have a nub ready if you go blank!
