Age: 53
male
David Jude Heyworth Law (born 29 December 1972) is an English actor. He began his career in British theatre before landing small roles in various television productions and feature films. Law gained international recognition for his role in Anthony Minghella's The Talented Mr. Ripley (1999), for which he won the BAFTA Award for Best Actor in a Supporting Role and was nominated for the Academy Award in the same category. Law found further critical and commercial success in Steven Spielberg's A.I. Artificial Intelligence (2001), Sam Mendes' Road to Perdition (2002), Minghella's Cold Mountain (2003), for which he earned Academy Award and BAFTA nominations, in addition to the drama Closer (2004) and the romantic comedy The Holiday (2006). His subsequent roles were as Dr. Watson in Sherlock Holmes (2009) and Sherlock Holmes: A Game of Shadows (2011), a young Albus Dumbledore in Fantastic Beasts: The Crimes of Grindelwald (2018) and Fantastic Beasts: The Secrets of Dumbledore (2022), and Yon-Rogg in Captain Marvel (2019); all of which rank among his highest-grossing releases. Other notable films include Contagion (2011), Hugo (2011), Side Effects (2013), The Grand Budapest Hotel (2014), and Spy (2015), as well as the television series The Young Pope (2016), The New Pope (2020), and Star Wars: Skeleton Crew (2024), earning a Children's and Family Emmy Award for Outstanding Lead Performer nomination for the latter. In addition to his film work, Law has performed in several West End and Broadway productions, including Les Parents terribles in 1994, Hamlet in 2010, and Anna Christie in 2011. These earned him nominations for two Tony Awards. He has also been awarded the Honorary César and was named a knight of the Order of Arts and Letters by the French government. Description above from the Wikipedia article Jude Law, licensed under CC-BY-SA, full list of contributors on Wikipedia.
John Wayne Cleaver is dangerous, and he knows it. He's spent his life doing his best not to live up to his potential. He's obsessed with serial killers, but really doesn't want to become one. So for his own sake, and the safety of those around him, he lives by rigid rules he's written for himself, practicing normal life as if it were a private religion that could save him from damnation. Dead bodies are normal to John. He likes them, actually. They don't demand or expect the empathy he's unable to offer. Perhaps that's what gives him the objectivity to recognize that there's something different about the body the police have just found behind the Wash-n-Dry Laundromat---and to appreciate what that difference means. Now, for the first time, John has to confront a danger outside himself, a threat he can't control, a menace to everything and everyone he would love, if only he could.
