Age: 41
female
Freida Selena Pinto (born 18 October 1984) is an Indian actress who has appeared mainly in American and British films. Born and raised in Mumbai, Maharashtra, she resolved at a young age to become an actress. As a student at St. Xavier's College, Mumbai, she took part in amateur plays. After graduation, she briefly worked as a model and then as a television presenter. Pinto rose to prominence with her film debut in the drama Slumdog Millionaire (2008), winning a SAG Award and earning a nomination for the BAFTA Award for Best Supporting Actress. She earned critical acclaim for her roles in Miral (2010), Trishna (2011), and Desert Dancer (2014). She also saw commercial success with the science fiction film Rise of the Planet of the Apes (2011), and the epic fantasy action film Immortals (2011). Pinto's other notable roles include You Will Meet a Tall Dark Stranger (2010), Love Sonia (2018), Hillbilly Elegy (2020), and Mr. Malcolm's List (2022). She also starred in the Showtime miniseries Guerrilla (2017), and had a recurring role in the Hulu series The Path (2018). Although the Indian press has credited Pinto with breaking the stereotypical image of an Indian woman in foreign films, she has been a lesser-known figure in Indian cinema and has rarely been featured in prominent productions in India. Along with her film career, she promotes humanitarian causes and is vocal about women's empowerment. Description above from the Wikipedia article Freida Pinto, licensed under CC-BY-SA, full list of contributors on Wikipedia.
All of them are friends. One of them is a killer. During the languid days of the Christmas break, a group of thirtysomething friends from Oxford meet to welcome in the New Year together, a tradition they began as students ten years ago. For this vacation, they’ve chosen an idyllic and isolated estate in the Scottish Highlands—the perfect place to get away and unwind by themselves. They arrive on December 30th, just before a historic blizzard seals the lodge off from the outside world. Two days later, on New Year’s Day, one of them is dead. The trip began innocently enough: admiring the stunning if foreboding scenery, champagne in front of a crackling fire, and reminiscences about the past. But after a decade, the weight of secret resentments has grown too heavy for the group’s tenuous nostalgia to bear. Amid the boisterous revelry of New Year’s Eve, the cord holding them together snaps. Now one of them is dead . . . and another of them did it. Keep your friends close, the old adage goes. But just how close is too close?
