Age: 55
female
Jennifer Lynn Connelly (born December 12, 1970) is an American actress. She began her career as a child model before making her acting debut in the 1984 crime film Once Upon a Time in America. After having worked as a model for several years, she began to concentrate on acting, starring in a variety of films including the horror film Phenomena (1985), the musical fantasy film Labyrinth (1986), the romantic comedy Career Opportunities (1991), and the period superhero film The Rocketeer (1991). She received praise for her performance in the science fiction film Dark City (1998) and playing a drug addict in Darren Aronofsky's drama film Requiem for a Dream (2000). Connelly was named Amnesty International Ambassador for Human Rights Education in 2005. She has been the face of Balenciaga and Louis Vuitton fashion advertisements, as well as for Revlon cosmetics. In 2012, she was named the first global face of the Shiseido Company. Magazines, including Time, Vanity Fair, and Esquire, as well as the Los Angeles Times newspaper, have included her on their lists of the world's most beautiful women. Description above from the Wikipedia article Jennifer Connelly, licensed under CC-BY-SA, full list of contributors on Wikipedia.
How to Make a Killing follows an ambitious but struggling entrepreneur who becomes entangled in a dangerous scheme to achieve rapid financial success. Desperate to escape poverty and prove themselves to skeptical family members, the protagonist makes increasingly questionable decisions that blur the line between clever business tactics and outright criminality. As they navigate a world of morally ambiguous characters—con artists, corrupt officials, and ruthless competitors—they discover that every shortcut comes with a hidden cost. The story explores themes of desperation, ambition, and the corrupting influence of greed, building toward a climax where the protagonist must confront the consequences of their choices. Dark humor punctuates the tension as the character's schemes spiral in unexpected directions, forcing them to question whether success achieved through deception is worth the price of their integrity and relationships.
