Age: 37
female
Lily Jane Collins (born 18 March 1989) is a British and American actress and model. Born in Guildford, Surrey and raised in Los Angeles, Collins began performing on screen at the age of two in the BBC sitcom Growing Pains. In the late 2000s, Collins began acting and modelling more regularly, and she had a career breakthrough with her performance in the sports-drama film The Blind Side, which was the third highest-grossing film of 2009. She went on to appear in leading roles across feature films such as the sci-fi action-horror Priest (2011), the psychological action-thriller Abduction (2011), the fantasy Mirror Mirror (2012), the urban fantasy The Mortal Instruments: City of Bones (2013), and the independent romantic comedies Stuck in Love (2012), The English Teacher (2013), and Love, Rosie (2014). Collins was critically acclaimed for her roles as Marla Mabrey in the comedy Rules Don't Apply (2016), which earned her a nomination for the Golden Globe Award for Best Actress – Motion Picture Musical or Comedy, and for her portrayal of a young adult with anorexia in the controversial Netflix drama To the Bone (2017). She has also achieved recognition for her work in biographical films: she starred as Liz Kendall in the Netflix drama Extremely Wicked, Shockingly Evil and Vile (2019), as J.R.R. Tolkien's wife Edith in Tolkien (2019), and as Rita Alexander in Mank (2020), the latter of which was a critical success, earning 10 Academy Award nominations. Collins played Fantine in the BBC miniseries adaptation of Les Misérables (2018–2019), and, since 2020, she has portrayed Emily Cooper in the Netflix series Emily in Paris. For the latter, she received a nomination for the Golden Globe Award for Best Actress – Television Series Musical or Comedy. She made her writing debut with Unfiltered: No Shame, No Regrets, Just Me (2017) in which she discussed her struggles with mental health, including an eating disorder she suffered as a teenager.
When Eden dumped her cheating ex before the wedding, the last thing she expected was to go on their tropical honeymoon alone. But with no refunds possible, she packs her budget guidebook and broken heart, and sets off. She plans to relax on the beach, swim in the ocean, and drink cocktails until she feels like herself again… or falls over. Whichever comes first. What she’s not expecting is the brusque, handsome stranger who sits down at her table on the first night. Philip Meyer is a grumpy workaholic, and so irritatingly cynical that it makes her forget she’s grieving just to prove him wrong about the world. The two have nothing in common… except trying to forget who they’ve left behind. The luxury resort isn’t too big, and fate soon pushes them together again. And again. Catamaran cruises and midnight swims give way to late night room service and whispered nothings. Maybe opposites really do attract. But every vacation has to end, even the very best ones… Can these two opposites make it last?
