Age: 52
male
Patrick Joseph Wilson (born July 3, 1973) is an American actor, director, and singer. He began his career in 1995, starring in Broadway musicals. He is a two-time Tony Award nominee for his roles in The Full Monty (2000–2001) and Oklahoma! (2002). He co-starred in the acclaimed HBO miniseries Angels in America (2003), for which he was nominated for both the Golden Globe Award and Primetime Emmy Award for Outstanding Supporting Actor in a Miniseries or a Movie. Wilson has also appeared in films such as The Phantom of the Opera (2004), Hard Candy (2005), Little Children (2006), Watchmen (2009), Insidious (2010), The A-Team (2010), Insidious: Chapter 2 (2013), and as demonologist Ed Warren in the Conjuring Universe (2013–present). He has earned a reputation as a "scream king" due to his frequent casting in horror films. On television, Wilson starred in the CBS drama series A Gifted Man (2011–2012) and as Lou Solverson in the second season of FX's anthology series Fargo (2015), for which he received a second Golden Globe Award nomination. In the DC Extended Universe, he portrayed Orm Marius / Ocean Master in the superhero film Aquaman (2018) and voiced the U.S. President in Batman v Superman: Dawn of Justice (2016). Description above from the Wikipedia article Patrick Wilson (American actor), licensed under CC-BY-SA, full list of contributors on Wikipedia.
Patrick Wilson
Will Navidson
for Will Navidson in House of Leaves
Suggested by sepanta_kazemi
When Pulitzer-winning photojournalist Will Navidson moves his family into a quiet Virginia farmhouse, he hopes for a return to normal life. But soon, an impossible discovery shatters that peace — the house is larger on the inside than it is on the outside. Curiosity turns to obsession as Navidson begins documenting the house’s shifting corridors and endless, cold darkness. The deeper he ventures, the more reality bends: walls breathe, gravity folds, and time dissolves. Parallel to this footage, Johnny Truant, a young man drifting through Los Angeles, stumbles upon the unfinished manuscript of an old, blind scholar named Zampanò — a detailed analysis of Navidson’s impossible film. As Johnny deciphers the text, his own grip on sanity unravels; the house seems to follow him, whispering through every page. Two men, decades apart, become bound by the same labyrinth — one made of brick and shadow, the other of words and fear. Inside both, the same question waits at the end of every corridor: What happens when the space you live in begins to consume you?
