Age: 15
male
Julian Hilliard (born 2011) is an American actor, best known for his roles in television and film, including The Haunting of Hill House (2018), WandaVision (2021), and Doctor Strange in the Multiverse of Madness (2022), the latter two in which he portrayed Billy Maximoff in the Marvel Cinematic Universe. Born in Dallas, Texas, Hilliard is the son of actress Arianne Martin and director/writer/producer Justin D. Hilliard. In 2018, Hilliard played Young Luke Crain in the Netflix horror series The Haunting of Hill House, created by Mike Flanagan. His portrayal of the character earned him a Young Artist Award nomination for Best Performance in a Streaming Series or Film: Young Actor in 2019. The cast was nominated for an OFTA Television Award for Best Ensemble in a Motion Picture or Limited Series that same year. In 2021, Hilliard was part of the cast of the Marvel Studios miniseries WandaVision, set in the Marvel Cinematic Universe and which aired on Disney+. He played Billy Maximoff, son of Wanda Maximoff (Elizabeth Olsen) and the Vision (Paul Bettany), and twin brother of Tommy (Jett Klyne). He later reprised the role in Doctor Strange in the Multiverse of Madness, released in 2022. In 2021, Hilliard was part of the cast of The Conjuring: The Devil Made Me Do It, the third installment in The Conjuring franchise. He portrayed David Glatzel, a young boy who becomes the centre of a supernatural investigation led by paranormal investigators Ed and Lorraine Warren, played by Patrick Wilson and Vera Farmiga. Description above from the Wikipedia article Julian Hilliard, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Julian Hilliard
Chad Navidson
for Chad Navidson in House of Leaves
Suggested by sepanta_kazemi
When Pulitzer-winning photojournalist Will Navidson moves his family into a quiet Virginia farmhouse, he hopes for a return to normal life. But soon, an impossible discovery shatters that peace — the house is larger on the inside than it is on the outside. Curiosity turns to obsession as Navidson begins documenting the house’s shifting corridors and endless, cold darkness. The deeper he ventures, the more reality bends: walls breathe, gravity folds, and time dissolves. Parallel to this footage, Johnny Truant, a young man drifting through Los Angeles, stumbles upon the unfinished manuscript of an old, blind scholar named Zampanò — a detailed analysis of Navidson’s impossible film. As Johnny deciphers the text, his own grip on sanity unravels; the house seems to follow him, whispering through every page. Two men, decades apart, become bound by the same labyrinth — one made of brick and shadow, the other of words and fear. Inside both, the same question waits at the end of every corridor: What happens when the space you live in begins to consume you?
