
Age: 50
male
David Dastmalchian (/dəstˈmɑːltʃən/ dəst-MAHL-chən; born July 21, 1975) is an American actor, writer, and producer. He has had supporting roles in a number of superhero franchises: he portrayed Thomas Schiff in The Dark Knight (2008), Kurt and Veb in the Ant-Man franchise, Abra Kadabra in the CW's The Flash, and Polka-Dot Man in The Suicide Squad (2021). Dastmalchian has appeared in three films directed by Denis Villeneuve: Prisoners (2013), Blade Runner 2049 (2017), and Dune (2021). Although he is best known for his work as a character actor, Dastmalchian had leading roles in the 2014 semi-autobiographical film Animals, which he wrote, and the 2023 horror film Late Night with the Devil, which he produced. He is also set to portray Mr. 3 in the Netflix series One Piece. He has a guest appearance on the 2025 TV Series Dexter: Resurrection. Description above from the Wikipedia article David Dastmalchian, licensed under CC-BY-SA, full list of contributors on Wikipedia.

David Dastmalchian

Billy Reston
for Billy Reston in House of Leaves
Suggested by sepanta_kazemi

When Pulitzer-winning photojournalist Will Navidson moves his family into a quiet Virginia farmhouse, he hopes for a return to normal life. But soon, an impossible discovery shatters that peace — the house is larger on the inside than it is on the outside. Curiosity turns to obsession as Navidson begins documenting the house’s shifting corridors and endless, cold darkness. The deeper he ventures, the more reality bends: walls breathe, gravity folds, and time dissolves. Parallel to this footage, Johnny Truant, a young man drifting through Los Angeles, stumbles upon the unfinished manuscript of an old, blind scholar named Zampanò — a detailed analysis of Navidson’s impossible film. As Johnny deciphers the text, his own grip on sanity unravels; the house seems to follow him, whispering through every page. Two men, decades apart, become bound by the same labyrinth — one made of brick and shadow, the other of words and fear. Inside both, the same question waits at the end of every corridor: What happens when the space you live in begins to consume you?