
Age: 56
male
Ralph Michael Ineson (/ˈaɪnsən/; born 15 December 1969) is an English actor and narrator. Standing 6 feet 3 inches tall with a distinctively deep voice and Yorkshire accent, he often plays authority figures. Ineson's notable film roles include Amycus Carrow in the final three Harry Potter films (2009–2011), William in The Witch (2015), the title character in The Green Knight (2021), Dr Wilhelm Sievers in Nosferatu (2024), and Galactus in The Fantastic Four: First Steps (2025). His notable television roles include Chris Finch in The Office (2001), Dagmer Cleftjaw in Game of Thrones (2012), and Nikolai Tarakanov in Chernobyl (2019). His video game voice work includes Charles Vane in Assassin's Creed IV: Black Flag (2013), Lorath Nahr in Diablo IV (2023), and Cid in Final Fantasy XVI (2023). Description above from the Wikipedia article Ralph Ineson, licensed under CC-BY-SA, full list of contributors on Wikipedia.

From Davin to the Eternity Gate, this is the Heresy as it should have been—five to six serialized, slow-burn seasons of pure, uncut catastrophe, not a lore anthology or Primarch power-scaling parade, but the Great Crusade’s golden promise rotting from within as the Warmaster takes the knife, the virus bombs eat loyalist lungs on Istvaan III, Prospero’s libraries burn under a brother’s axe, Calth’s sun dies in betrayal, Nuceria drowns in Angron’s ascension, Fulgrim perfects himself into damnation, Mortarion sells his sons for Nurgle’s embrace, Perturabo grinds the Fists into spiteful dust, and the Khan rides alone toward a father who never deserved him—then the Siege, Dorn’s walls cracking, Sanguinius’s wings broken on the Vengeful Spirit, the Emperor and Horus annihilating each other’s souls in a room full of dead dreams, and the Imperium hauled onto the Throne not as victory but as a corpse that will never be allowed to die; this is the tragedy not of good versus evil but of love too late, truth too heavy, and loyalty repaid in ash, where every brother’s bond becomes a wound, every honor is buried in black sand, and the only ending is the slow, grinding realization that the golden age was already dead the moment the Emperor stopped being a father and started being a god.
