Age: 43
male
Charlie Thomas Cox (born 15 December 1982) is an English actor. He is known for portraying Matt Murdock / Daredevil in seven projects of the Marvel Cinematic Universe, leading the television series Daredevil (2015–2018) and Daredevil: Born Again (2025–present). Cox portrayed Owen Sleater in the second and third seasons of HBO's Boardwalk Empire (2011–2012) and Jonathan Hellyer Jones in the 2014 film The Theory of Everything. He starred in the RTÉ drama series Kin (2021–2023) and the Netflix spy miniseries Treason (2022). Cox's breakout role was as Tristan Thorn in the 2007 fantasy film Stardust, one of several roles he had in predominantly British productions during the first decade of his career. He made his West End debut the following year in a revival of the Harold Pinter plays The Lover and The Collection. Following his successes on-screen in the 2010s, he acted in a 2019 stage production of Harold Pinter's Betrayal, first in the West End and then on Broadway. He would later make his video game debut in 2025 as Gustave in Clair Obscur: Expedition 33. Description above from the Wikipedia article Charlie Cox, licensed under CC-BY-SA, full list of contributors on Wikipedia.
From Davin to the Eternity Gate, this is the Heresy as it should have been—five to six serialized, slow-burn seasons of pure, uncut catastrophe, not a lore anthology or Primarch power-scaling parade, but the Great Crusade’s golden promise rotting from within as the Warmaster takes the knife, the virus bombs eat loyalist lungs on Istvaan III, Prospero’s libraries burn under a brother’s axe, Calth’s sun dies in betrayal, Nuceria drowns in Angron’s ascension, Fulgrim perfects himself into damnation, Mortarion sells his sons for Nurgle’s embrace, Perturabo grinds the Fists into spiteful dust, and the Khan rides alone toward a father who never deserved him—then the Siege, Dorn’s walls cracking, Sanguinius’s wings broken on the Vengeful Spirit, the Emperor and Horus annihilating each other’s souls in a room full of dead dreams, and the Imperium hauled onto the Throne not as victory but as a corpse that will never be allowed to die; this is the tragedy not of good versus evil but of love too late, truth too heavy, and loyalty repaid in ash, where every brother’s bond becomes a wound, every honor is buried in black sand, and the only ending is the slow, grinding realization that the golden age was already dead the moment the Emperor stopped being a father and started being a god.
