
Age: 46
male
Diego Dionisio Luna Alexander (Spanish: [ˈdjeɣoˈluna aleɣˈsandeɾ]; born 29 December 1979) is a Mexican actor, director, and producer, best known for his portrayal of Cassian Andor in Rogue One: A Star Wars Story (2016) and the Disney+ series Andor (2022–2025), for which he was nominated for a Golden Globe Award for Best Actor - Television Series Drama. Following an early career in Mexican telenovelas, Luna had his breakthrough in the critically acclaimed 2001 film Y tu mamá también. During the 2000s, he appeared in both Mexican and American films, including Frida, Open Range, Dirty Dancing: Havana Nights, The Terminal, Criminal, Milk, Sólo quiero caminar, and Rudo y Cursi. In the 2010s, his films included the science fiction film Elysium, the comedy Casa de mi Padre, and the animated musical The Book of Life. From 2018 to 2020, he starred as the drug trafficker Miguel Ángel Félix Gallardo in Narcos: Mexico. Luna has appeared in numerous Mexican theatre productions and has produced both film and television projects, many of which feature Gael García Bernal. Since 2010, he has directed three feature films: Abel, Cesar Chavez, and Mr. Pig. He is the creator and director of the 2013 Fusion TV docu-series Back Home, the Amazon Studios talk show Pan y Circo, which premiered in 2020, and the 2021 Netflix scripted series Everything Will Be Fine. In 2025, Time magazine listed Luna as one of the world's 100 most influential people. Description above from the Wikipedia article Diego Luna, licensed under CC-BY-SA, full list of contributors on Wikipedia.

From Davin to the Eternity Gate, this is the Heresy as it should have been—five to six serialized, slow-burn seasons of pure, uncut catastrophe, not a lore anthology or Primarch power-scaling parade, but the Great Crusade’s golden promise rotting from within as the Warmaster takes the knife, the virus bombs eat loyalist lungs on Istvaan III, Prospero’s libraries burn under a brother’s axe, Calth’s sun dies in betrayal, Nuceria drowns in Angron’s ascension, Fulgrim perfects himself into damnation, Mortarion sells his sons for Nurgle’s embrace, Perturabo grinds the Fists into spiteful dust, and the Khan rides alone toward a father who never deserved him—then the Siege, Dorn’s walls cracking, Sanguinius’s wings broken on the Vengeful Spirit, the Emperor and Horus annihilating each other’s souls in a room full of dead dreams, and the Imperium hauled onto the Throne not as victory but as a corpse that will never be allowed to die; this is the tragedy not of good versus evil but of love too late, truth too heavy, and loyalty repaid in ash, where every brother’s bond becomes a wound, every honor is buried in black sand, and the only ending is the slow, grinding realization that the golden age was already dead the moment the Emperor stopped being a father and started being a god.
