Age: 45
male
Michiel Huisman (born July 18, 1981) is a Dutch film and television actor, musician, and singer-songwriter, who has acted in both Dutch and English-language productions. He's best known for his roles on television series as Eric 'Prince' Haase on Echo 3, Olivier Meyer on Angela Black, Alex Sokolov on The Flight Attendant, Steven Crain on The Haunting of Hill House, Walter Davidson on the miniseries Harley and the Davidsons, (the second) Daario Naharis on Game of Thrones, Cal Morrison on Orphan Black, Liam McGuinnis on Nashville, and Sonny on Tréme. He's also known for his film roles as Dawsey Adams in The Guernsey Literary & Potato Peel Pie Society, Sam in Irreplaceable You, Ellis Jones in The Age of Adeline, Ellis in World War Z, and Ernest in The Young Victoria. In Dutch TV series, he's known for his roles as Martijn Wager on Bloedverwanten, Hugo Biesterveld on De Co-assistent, Boudewijn Peuts on Meriden van de Wit, Bart on Costa!, and Rover on Goede tijden, slechte tijden.
From Davin to the Eternity Gate, this is the Heresy as it should have been—five to six serialized, slow-burn seasons of pure, uncut catastrophe, not a lore anthology or Primarch power-scaling parade, but the Great Crusade’s golden promise rotting from within as the Warmaster takes the knife, the virus bombs eat loyalist lungs on Istvaan III, Prospero’s libraries burn under a brother’s axe, Calth’s sun dies in betrayal, Nuceria drowns in Angron’s ascension, Fulgrim perfects himself into damnation, Mortarion sells his sons for Nurgle’s embrace, Perturabo grinds the Fists into spiteful dust, and the Khan rides alone toward a father who never deserved him—then the Siege, Dorn’s walls cracking, Sanguinius’s wings broken on the Vengeful Spirit, the Emperor and Horus annihilating each other’s souls in a room full of dead dreams, and the Imperium hauled onto the Throne not as victory but as a corpse that will never be allowed to die; this is the tragedy not of good versus evil but of love too late, truth too heavy, and loyalty repaid in ash, where every brother’s bond becomes a wound, every honor is buried in black sand, and the only ending is the slow, grinding realization that the golden age was already dead the moment the Emperor stopped being a father and started being a god.
