Age: 49
male
Andrew Scott (born 21 October 1976) is an Irish actor. Known for his roles on stage and screen, his accolades include a British Academy Television Award, Silver Bear Berlin International Film Festival, and two Laurence Olivier Awards, along with nominations for three Primetime Emmy Awards and three Golden Globe Awards. Scott first came to prominence portraying James Moriarty in the BBC series Sherlock (2010–2017), for which he won the BAFTA Television Award for Best Supporting Actor. His role as the priest in the second series of Fleabag (2019) garnered him wider recognition. It earned him the Critics' Choice Television Award for Best Supporting Actor in a Comedy Series. He is also known for his roles in the films Pride (2014), Spectre (2015), and 1917 (2019). He was nominated for a Golden Globe Award for Best Actor for his starring role in the romantic drama film All of Us Strangers (2023). In 2024, he starred as Tom Ripley in the thriller series Ripley, for which he received Golden Globe and Primetime Emmy Award nominations as well as a Peabody Award. On stage, Scott played the lead role of Garry Essendine in a 2019 production of Present Laughter at The Old Vic, for which he won the Laurence Olivier Award for Best Actor. He also won the Laurence Olivier Award for Outstanding Achievement in an Affiliate Theatre in 2005 for his role in A Girl in a Car with a Man at the Royal Court Theatre.
A discarded painting in a junk pile, a skeleton in an attic, and the greatest racehorse in American history: from these strands, a Pulitzer Prize winner braids a sweeping story of spirit, obsession, and injustice across American history Kentucky, 1850. An enslaved groom named Jarret and a bay foal forge a bond of understanding that will carry the horse to record-setting victories across the South. When the nation erupts in civil war, an itinerant young artist who has made his name on paintings of the racehorse takes up arms for the Union. On a perilous night, he reunites with the stallion and his groom, very far from the glamor of any racetrack. New York City, 1954. Martha Jackson, a gallery owner celebrated for taking risks on edgy contemporary painters, becomes obsessed with a nineteenth-century equestrian oil painting of mysterious provenance. Washington, DC, 2019. Jess, a Smithsonian scientist from Australia, and Theo, a Nigerian-American art historian, find themselves unexpectedly connected through their shared interest in the horse—one studying the stallion’s bones for clues to his power and endurance, the other uncovering the lost history of the unsung Black horsemen who were critical to his racing success. Based on the remarkable true story of the record-breaking thoroughbred Lexington, Horse is a novel of art and science, love and obsession, and our unfinished reckoning with racism.
