Died at 95
male
Robert Selden Duvall (January 5, 1931 – February 15, 2026) was an American actor and filmmaker. He is the recipient of an Academy Award, four Golden Globe Awards, a BAFTA Award, two Primetime Emmy Awards and a Screen Actors Guild Award. Duvall began appearing in theater in the late 1950s, moving into television and film roles during the early 1960s, playing Boo Radley in To Kill a Mockingbird (1962) and appearing in Captain Newman, M.D. (1963), as Major Frank Burns in the blockbuster comedy M*A*S*H (1970) and the lead role in THX 1138 (1971), as well as Horton Foote's adaptation of William Faulkner's Tomorrow (1972), which was developed at The Actors Studio and is his personal favorite. This was followed by a series of critically lauded performances in commercially successful films. He has starred in numerous films and television series, including The Twilight Zone (1963), Bullitt (1968), True Grit (1969), The Godfather (1972), The Godfather Part II (1974), The Conversation (1974), Network (1976), Apocalypse Now (1979), Tender Mercies (1983) (which earned him the Academy Award for Best Actor), The Natural (1984), The Handmaid's Tale (1990), Days of Thunder (1990), Falling Down (1993), Secondhand Lions (2003), The Judge (2014), and Widows (2018). His final role was in The Pale Blue Eye (2022).
Robert Duvall
Duke Wilson of Elmer
for Duke Wilson of Elmer in Horn-Horn
Suggested by sadiesinks
When teenage loner Cassie Gellar moves with her hippie parents to the seaside town of Horn-Horn, she finds herself at odds with the battling cliques at her new school. There’s Eleanore Parker, Principal’s daughter and social butterfly. Then there’s Hayley and the ‘backseater’ misfits. But there’s also Zag, a shackled little boy she finds hiding in the woods. Where is he from, and why does he have a giant woman and a white moose chasing after him? Cassie finds herself catapulted into a world of magic and danger, one where nothing is ever as it seems and nobody is to be trusted. Full of intelligent comedy, fantasy and horror, the constantly evolving town of ‘Horn-Horn’ proves that friendship and family can transcend even space and time itself.
