Age: 39
female
Nicola Mary Coughlan is an Irish actress. She is known for her roles as Clare Devlin in the Channel 4 sitcom Derry Girls and Penelope Featherington in the Netflix period drama Bridgerton. She earned a Screen Actors Guild Awards nomination for playing the lead role of Penelope Featherington in the third season of Bridgerton. Coughlan earned a British Academy Television Awards nomination for her role as Maggie Donovan in Big Mood (2024–present). Coughlan was born on 9 January 1987 in Galway, Ireland, and grew up in Oranmore. The youngest of three siblings, her father served in the Irish Army before passing away in 2016, and her mother was a stay-at-home parent. At the age of five, while watching her sister perform in a school play, Coughlan decided she wanted to become an actress. She attended Scoil Mhuire Primary School and Calasanctius College. She graduated with a degree in English and Classical Civilisation from the National University of Ireland, Galway. She then went on to train in England at the Oxford School of Drama and Birmingham School of Acting.
At the dawn of their adolescence, on the eve of the summer solstice, four young girls—Helena, Leonie, Niamh and Elle—took the oath to join Her Majesty's Royal Coven, established by Queen Elizabeth I as a covert government department. Now, decades later, the witch community is still reeling from a civil war and Helena is the reigning High Priestess of the organization. Yet Helena is the only one of her friend group still enmeshed in the stale bureaucracy of HMRC. Elle is trying to pretend she's a normal housewife, and Niamh has become a country vet, using her powers to heal sick animals. In what Helena perceives as the deepest betrayal, Leonie has defected to start her own more inclusive and intersectional coven, Diaspora. And now Helena has a bigger problem. A young warlock of extraordinary capabilities has been captured by authorities and seems to threaten the very existence of HMRC. With conflicting beliefs over the best course of action, the four friends must decide where their loyalties lie: with preserving tradition, or doing what is right. Juno Dawson explores gender and the corrupting nature of power in a delightful and provocative story of magic and matriarchy, friendship and feminism. Dealing with all the aspects of contemporary womanhood, as well as being phenomenally powerful witches, Niamh, Helena, Leonie and Elle may have grown apart but they will always be bound by the sisterhood of the coven.
