Age: 75
female
Lindsay Vere Duncan, CBE (born November 7, 1950) is a Scottish stage and television actress. She is the recipient of three BAFTA nominations and one Scottish BAFTA nomination, as well as two Olivier Awards and a Tony Award for her work on stage. She has starred in several plays by Harold Pinter. Duncan's film credits include Prick Up Your Ears (1987), The Reflecting Skin (1990), City Hall (1996), An Ideal Husband, Star Wars: Episode I – The Phantom Menace, Mansfield Park (all 1999), Under the Tuscan Sun, AfterLife (both 2003), Starter for 10 (2006), Tim Burton's Alice in Wonderland (2010), About Time (2013), Birdman (2014), and Blackbird (2019). Outside of stage and film, Duncan appeared as Barbara Douglas in Alan Bleasdale's critically acclaimed G.B.H. (1991), Servilia of the Junii on the HBO historical drama series Rome (2005–2007), Adelaide Brooke in the Doctor Who special "The Waters of Mars" (2009), Anjelica Hayden-Hoyle in the BBC Two miniseries The Honourable Woman (2014), and Lady Smallwood on BBC One's Sherlock (2014–2017). She also portrayed Elizabeth Longford and Margaret Thatcher in the television films Longford (2006) and Margaret (2009), respectively.
At the dawn of their adolescence, on the eve of the summer solstice, four young girls—Helena, Leonie, Niamh and Elle—took the oath to join Her Majesty's Royal Coven, established by Queen Elizabeth I as a covert government department. Now, decades later, the witch community is still reeling from a civil war and Helena is the reigning High Priestess of the organization. Yet Helena is the only one of her friend group still enmeshed in the stale bureaucracy of HMRC. Elle is trying to pretend she's a normal housewife, and Niamh has become a country vet, using her powers to heal sick animals. In what Helena perceives as the deepest betrayal, Leonie has defected to start her own more inclusive and intersectional coven, Diaspora. And now Helena has a bigger problem. A young warlock of extraordinary capabilities has been captured by authorities and seems to threaten the very existence of HMRC. With conflicting beliefs over the best course of action, the four friends must decide where their loyalties lie: with preserving tradition, or doing what is right. Juno Dawson explores gender and the corrupting nature of power in a delightful and provocative story of magic and matriarchy, friendship and feminism. Dealing with all the aspects of contemporary womanhood, as well as being phenomenally powerful witches, Niamh, Helena, Leonie and Elle may have grown apart but they will always be bound by the sisterhood of the coven.
