Age: 36
male
Paapa Kwaakye Essiedu (/ˈpɑːpə ˌɛsiˈeɪduː/) (born 1990) is a British actor. He started his career in 2012 when he joined the Royal Shakespeare Company, acting in numerous productions, including The Merry Wives of Windsor (2012), King Lear (2014), Hamlet (2016), and Romeo and Juliet (2016). His breakthrough came with his role in the HBO miniseries I May Destroy You (2020), which earned nominations for the Primetime Emmy Award and British Academy Television Award. He portrayed George Boleyn in the Channel 5 miniseries Anne Boleyn (2021). He had starring roles in the AMC+action series Gangs of London (2020–2022), the science fiction series The Lazarus Project (2020–2023), and Black Mirror: Demon 79 (2023). Essiedu debuted his feature film acting as a policeman in Kenneth Branagh's mystery film Murder on the Orient Express (2017). He took roles in the horror film Men (2022), the fantasy film Genie (2023), and the drama The Outrun (2024). He gained acclaim for his stage roles in Caryl Churchill's play A Number (2022) and Lucy Prebble's play The Effect (2023–2024). Description above from the Wikipedia article Paapa Essiedu, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Paapa Essiedu
Sir Piers Exton
for Sir Piers Exton in Henriad (Season 1. Richard II)
Suggested by Jeshisthename
A television adaptation of William Shakespeare's Henriad: a pair of tetralogies chronicling the rise of the Lancaster branch of England’s House of Plantagenet. Richard II, set around the year 1398, traces the fall from power of the last king of the house of Plantagenet, Richard II, and his replacement by the first Lancaster king, Henry IV (Henry Bolingbroke). Richard II, who ascended to the throne as a young man, is a regal and stately figure, but he is wasteful in his spending habits, unwise in his choice of counselors, and detached from his country and its common people. He spends too much of his time pursuing the latest Italian fashions, spending money on his close friends, and raising taxes to fund his pet wars in Ireland and elsewhere. When he begins to "rent out" parcels of English land to certain wealthy noblemen in order to raise funds for one of his wars and seizes the lands and money of a recently deceased and much respected uncle to help fill his coffers, both the commoners and the king's noblemen decide that Richard has gone too far.
