Age: 63
male
Robert John Odenkirk (born October 22, 1962) is an American actor, comedian, and filmmaker best known for his role as Saul Goodman on Breaking Bad (2008–2013) and its spin-off Better Call Saul (2015–2022). For the latter, he has received five nominations for Primetime Emmy Award for Outstanding Lead Actor in a Drama Series. As a producer on Better Call Saul since its premiere, he has also received six nominations for Primetime Emmy Award for Outstanding Drama Series. He is also known for the HBO sketch comedy series Mr. Show with Bob and David (1995–1998), which he co-created and co-starred in with fellow comic David Cross. In 2015, he and Cross reunited, along with the rest of the Mr. Show cast, for W/ Bob & David on Netflix. Odenkirk wrote for television series Saturday Night Live (1987–1991) and The Ben Stiller Show (1992), winning Emmy Award for Outstanding Writing for a Variety Series in 1989 and 1993. He also wrote for Late Night with Conan O'Brien (1993–1994) and acted in a recurring role as Agent Stevie Grant in The Larry Sanders Show (1993–1998). In the early 2000s, Odenkirk discovered the comedy duo Tim & Eric. He produced their television series Tom Goes to the Mayor (2004–2006) and Tim and Eric Awesome Show, Great Job! (2007–2010). His feature directorial credits include the films Melvin Goes to Dinner (2003), Let's Go to Prison (2006), and The Brothers Solomon (2007). The success of Breaking Bad and Better Call Saul led to acting work in high-profile projects such as Nebraska (2013), the first season of Fargo (2014), Steven Spielberg's The Post (2017), Pixar's Incredibles 2 (2018), Little Women (2019) and, as the lead, the action film Nobody (2021), which he also produced. Description above from the Wikipedia article Bob Odenkirk, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Bob Odenkirk
Richard Montgomery
for Richard Montgomery in Hello Stranger
Suggested by hwelchrdh
Sadie Montgomery never saw what was coming . . . Literally! One minute she’s celebrating the biggest achievement of her life—placing as a finalist in the North American Portrait Society competition—the next, she’s lying in a hospital bed diagnosed with a “probably temporary” condition known as face blindness. She can see, but every face she looks at is now a jumbled puzzle of disconnected features. Imagine trying to read a book upside down and in another language. This is Sadie’s new reality with every face she sees. But, as she struggles to cope, hang on to her artistic dream, work through major family issues, and take care of her beloved dog, Peanut, she falls into—love? Lust? A temporary obsession to distract from the real problems in her life?—with not one man but two very different ones. The timing couldn’t be worse. If only her life were a little more in focus, Sadie might be able to find her way. But perceiving anything clearly right now seems impossible. Even though there are things we can only find when we aren’t looking. And there are people who show up when we least expect them. And there are always, always other ways of seeing.
