Age: 35
female
Margot Elise Robbie (born 2 July 1990) is an Australian actress and producer. Her work includes blockbusters and independent films, and her accolades include nominations for three Academy Awards, four Golden Globe Awards, and six BAFTA Awards. Time named her one of the 100 most influential people in the world in 2017, and Forbes named her the world's highest-paid actress in 2023. Born and raised in Queensland, Robbie began her career in 2008 on the television series Neighbours, on which she was a regular until 2011. After moving to the United States, she led the television series Pan Am (2011–2012). She had her breakthrough in 2013 with Martin Scorsese's black comedy film The Wolf of Wall Street. She achieved wider recognition by starring in the roles of Jane Porter in The Legend of Tarzan (2016) and Harley Quinn in the DC Extended Universe films, beginning with Suicide Squad (2016). Robbie received critical acclaim and a nomination for the Academy Award for Best Actress for her portrayal of figure skater Tonya Harding in the biopic I, Tonya (2017). This acclaim continued for her performances as Queen Elizabeth I in Mary Queen of Scots (2018), Sharon Tate in Once Upon a Time in Hollywood (2019), and a Fox News employee in Bombshell (2019). The last of these earned her a nomination for the Academy Award for Best Supporting Actress. Robbie has since starred as an aspiring actress in the period film Babylon (2022) and the titular fashion doll in the fantasy comedy Barbie (2023), which emerged as her highest-grossing release and, as its producer, earned her a nomination for the Academy Award for Best Picture. Robbie and her husband, filmmaker Tom Ackerley, co-founded the production company LuckyChap Entertainment in 2014, under which they have produced several films, including I, Tonya, Promising Young Woman (2020), Barbie, and Saltburn (2023), as well as the Hulu series Dollface (2019–2022) and the Netflix miniseries Maid (2021).
Sadie Montgomery never saw what was coming . . . Literally! One minute she’s celebrating the biggest achievement of her life—placing as a finalist in the North American Portrait Society competition—the next, she’s lying in a hospital bed diagnosed with a “probably temporary” condition known as face blindness. She can see, but every face she looks at is now a jumbled puzzle of disconnected features. Imagine trying to read a book upside down and in another language. This is Sadie’s new reality with every face she sees. But, as she struggles to cope, hang on to her artistic dream, work through major family issues, and take care of her beloved dog, Peanut, she falls into—love? Lust? A temporary obsession to distract from the real problems in her life?—with not one man but two very different ones. The timing couldn’t be worse. If only her life were a little more in focus, Sadie might be able to find her way. But perceiving anything clearly right now seems impossible. Even though there are things we can only find when we aren’t looking. And there are people who show up when we least expect them. And there are always, always other ways of seeing.
