Age: 15
male
Julian Hilliard (born 2011) is an American actor, best known for his roles in television and film, including The Haunting of Hill House (2018), WandaVision (2021), and Doctor Strange in the Multiverse of Madness (2022), the latter two in which he portrayed Billy Maximoff in the Marvel Cinematic Universe. Born in Dallas, Texas, Hilliard is the son of actress Arianne Martin and director/writer/producer Justin D. Hilliard. In 2018, Hilliard played Young Luke Crain in the Netflix horror series The Haunting of Hill House, created by Mike Flanagan. His portrayal of the character earned him a Young Artist Award nomination for Best Performance in a Streaming Series or Film: Young Actor in 2019. The cast was nominated for an OFTA Television Award for Best Ensemble in a Motion Picture or Limited Series that same year. In 2021, Hilliard was part of the cast of the Marvel Studios miniseries WandaVision, set in the Marvel Cinematic Universe and which aired on Disney+. He played Billy Maximoff, son of Wanda Maximoff (Elizabeth Olsen) and the Vision (Paul Bettany), and twin brother of Tommy (Jett Klyne). He later reprised the role in Doctor Strange in the Multiverse of Madness, released in 2022. In 2021, Hilliard was part of the cast of The Conjuring: The Devil Made Me Do It, the third installment in The Conjuring franchise. He portrayed David Glatzel, a young boy who becomes the centre of a supernatural investigation led by paranormal investigators Ed and Lorraine Warren, played by Patrick Wilson and Vera Farmiga. Description above from the Wikipedia article Julian Hilliard, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Julian Hilliard
Aaron Peterson
for Aaron Peterson in Hello Neighbor (Psychological Horror Thriller)
Suggested by kaueoliveira
"Hello Neighbor" is a tense and visually stylized thriller set in the seemingly perfect suburb of Raven Brooks. The story follows Nicky Roth, a lonely and observant teenager who moves into the house across the street from Mr. Peterson, a reclusive and strange man whom the neighborhood avoids. After hearing muffled screams and witnessing erratic behavior through the window, Nicky becomes obsessed with discovering what Peterson is hiding in his basement. The film blends a "cat and mouse" investigation (where Peterson always seems to be one step ahead, adapting to Nicky's attempts to break in) with surreal nightmare sequences that reveal the neighbor's tragic past: the loss of his wife and children. As Nicky descends deeper into the house—which becomes an impossible and twisted labyrinth—he discovers that the real horror is not just what's in the basement, but the broken mind of a man consumed by grief.
