Age: 46
female
Mary Rose Byrne (born 24 July 1979) is an Australian actress. She made her screen debut in the film Dallas Doll (1994), and continued to act in Australian film and television throughout the 1990s. She obtained her first leading film role in The Goddess of 1967 (2000), which brought her the Volpi Cup for Best Actress and made the transition to Hollywood in the small role of Dormé in Star Wars: Episode II – Attack of the Clones (2002), followed by larger parts in Troy (2004), 28 Weeks Later (2007), and Knowing (2009). Byrne appeared as Ellen Parsons in the legal thriller series Damages (2007–2012), which earned her two Golden Globe Awards nominations and two Primetime Emmy Award nominations. Get Him to the Greek (2010) and Bridesmaids (2011) established her as a comedic actress, in addition to the dramas and thrillers in which she continues to appear. She has since starred in a number of commercially successful comedies and dramas, including Insidious (2010) and its sequel Insidious: Chapter 2 (2013), X-Men: First Class (2011) and its sequel X-Men: Apocalypse (2016), Annie (2014), as well as Peter Rabbit (2018) and its sequel Peter Rabbit 2: The Runaway (2021). Byrne also portrayed Gloria Steinem in the miniseries Mrs. America (2020) and led the comedy series Physical (2021–2023) and Platonic (2023). Byrne has been in relationship with American actor Bobby Cannavale since 2012 and they have two sons. And she is the sister-in-law of New Zealand actress Rose McIver from her brother's marriage.
William Waters grew up in a house silenced by tragedy, where his parents could hardly bear to look at him, much less love him—so when he meets the spirited and ambitious Julia Padavano in his freshman year of college, it’s as if the world has lit up around him. With Julia comes her family, as she and her three sisters are inseparable: Sylvie, the family’s dreamer, is happiest with her nose in a book; Cecelia is a free-spirited artist; and Emeline patiently takes care of them all. With the Padavanos, William experiences a newfound contentment; every moment in their house is filled with loving chaos. But then darkness from William’s past surfaces, jeopardizing not only Julia’s carefully orchestrated plans for their future, but the sisters’ unshakeable devotion to one another. The result is a catastrophic family rift that changes their lives for generations. Will the loyalty that once rooted them be strong enough to draw them back together when it matters most? An exquisite homage to Louisa May Alcott’s timeless classic, Little Women, Hello Beautiful is a profoundly moving portrait of what is possible when we choose to love someone not in spite of who they are, but because of it.
