Age: 35
female
Melissa Barrera Martínez (born 4 July 1990) is a Mexican actress, stage actress, singer-songwriter, producer, executive producer and activist. She began her career as the lead characters of Azteca's Mexican telenovelas as the humble and kind village girl Olvido Pérez in Siempre tuya Acapulco (2014) and as struggling hard working woman Mía González in Tanto amor (2015), then joining in as socialite Isabel Cantú in the third season of the Netflix original series Club de Cuervos (2017). Barrera transitioned to Hollywood in 2018, earning recognition playing the sexually liberated and free spirited vegan woman Lyn Hernandez in the Starz comedy-drama series Vida (2018–2020). For playing Sam Carpenter in the slasher films Scream (2022) and Scream VI (2023), as well as leading the horror-comedies as the former millitary nurse and drug addict Joey in Abigail and aspiring breast cancer survivor stage actress Laura Franco in Your Monster (both 2024), she established herself as a scream queen. She is a 3-time Imagen Award nominee, and her accolades include a Satellite Award nomination for playing hairstylist Vanessa Morales in the 2021 movie adaption of Lin-Manuel Miranda’s musical In the Heights. Description above from the Wikipedia article Melissa Barrera, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Melissa Barrera
Xochitl Hernandez
for Xochitl Hernandez in Hayley Aldridge Is Still Here
Suggested by kamsismith
It’s been years since anyone really thought about Hayley Aldridge. A child star turned television royalty, Hayley spent years in Hollywood partying and being plastered across the front page of all the tabloids before quietly disappearing after a whirlwind marriage and divorce and very public breakdown. Once the tabloids wrung every last drop out of the drama, they moved on to the next It Girl. But Hayley is still here. For over a decade, she’s been trapped in a conservatorship and had every aspect of her life controlled by her parents. She goes nowhere, does nothing without their approval, which is rarely granted. Her visits with her kids are monitored, her fan mail is censored, and she’s a prisoner in her own home. She thought things might change once she was well enough to work, but the restrictions got even tighter as she continued to bring money in—the only thing her parents ever really cared about. Hayley is beginning to realize that this nightmare is her actual life. And she’s sick of it. When the hashtag #helphayley starts to emerge on social media, and the public starts thinking critically about what happened to her all those years ago, there’s finally some momentum on her side. With an upcoming court date to review the status of the conservatorship, Hayley might finally have a chance to break free.
